I always liked it better backstage.
It's something about the way the stage lights filter in between the heavy curtains, and give light to the darkness. The way that there are always hidden rooms with old props that have been left to gather dust, not abandoned when I'm there to enjoy them. The excited buzz in the dressing room before a scene, hastily helping with tutus and stage make up. The way the crew breathes a collective sigh of relief as the dancers leave the stage, having successfully floored the audience. Hearing the applause and watching bows and curtseys being taken as the cast takes the stage one last time.
Sometimes I read as I listen to the beautiful flowing music, but what I love is watching the faces in the audience, too trained on the elegant movement being achieved on stage to notice me. That's what I like best, noticing and not being noticed. I don't need to be on the stage to feel the atmosphere or a sense of achievement after all the rehearsals. I know that I can perform at a moment's notice, and I can be the one flooring the audience, but it doesn't consume me.
Everyone assumes the understudy is disappointed with their lot, but I couldn't be happier, after all, I always did like it better backstage.
Story inspired by The Understudy by Chad Gowey. Thanks for taking the time to read, it's much appreciated.
Clara Bennet.
YOU ARE READING
The Understudy
Teen FictionA short work inspired by the artwork you see as the cover, by Chad Gowey. The understudy tells us how she feels about being just that, the understudy, hidden backstage where she watches both performers and audience from afar.
