Divorce To Marry a CEO

Chapter 49: The Selection Committee Decides

The third group, led by Sarah Nguyen, had chosen "Minimalist Elegance" as their theme. Their designs were stripped-down, chic pieces in neutral tones, perfect for the fashion-forward, professional woman. Sarah highlighted their focus on clean lines, subtle details, and premium materials. The simplicity of the designs was powerful, and the team’s understanding of timeless fashion made a strong impression. The committee exchanged nods, appreciating the understated sophistication of Sarah’s collection.

After the first three presentations, it was clear that Allure Fashion housed some of the industry’s most talented designers. The committee members were visibly impressed, and Carla, who rarely smiled during these events, seemed particularly engaged. However, the tension in the room heightened as the next group prepared to present. This was Nina and her team.

Nina walked to the front of the room, her movements sharp and precise, dressed in a striking black ensemble that spoke of ambition. She was a skilled designer—there was no doubt about that—but everyone knew Nina’s desire to climb the ranks at Allure was fierce, and today, she had come prepared to dominate.

Her category: "Avant-Garde Couture." It was bold, daring, and meant to make a statement. Nina presented a collection that featured exaggerated shapes, dramatic textures, and vibrant colors. The theme was aptly named "Metamorphosis," inspired by the transformation of butterflies. Each piece was unique, with intricate detailing and bold structural elements that pushed the boundaries of conventional fashion.

“As you can see,” Nina began, her voice confident, “I have designed this collection to capture the essence of transformation—both literal and metaphorical. I wanted to show the beauty in change, in evolution.”

As she continued, it became clear that Nina was deliberately using “I” instead of “we,” drawing all the credit toward herself. "I came up with this design," she said at one point, “and I directed the construction of each piece.”

The committee members raised their eyebrows at her language, recognizing the lack of acknowledgment for her team. Still, they couldn’t deny the artistry of the collection. Carla, in particular, seemed to appreciate the boldness of Nina’s designs, though there was a flicker of disapproval in her eyes over Nina’s blatant self-promotion.

When Nina finished, she received polite applause. Her collection was impressive, perhaps even more refined than the first three, but the lack of teamwork left a subtle sour taste among the committee.

Finally, it was time for Sophia and her team. The room buzzed as Sophia stepped forward, flanked by her assistant and close friend, Emily, and a group of eager designers. Sophia was known for her talent, but what set her apart was her humility and her ability to bring out the best in her team. Her category? “Global Renaissance.”

Sophia had chosen this theme to blend the old with the new—drawing inspiration from classic art and architecture while incorporating modern design elements that would resonate on an international stage. Her collection featured elegant, flowing garments with intricate embroidery and beadwork, using fabrics sourced from different cultures around the world.

“This collection,” Sophia began, her voice steady but filled with passion, “is a celebration of diversity. Each piece tells a story, drawing from the rich histories of different cultures, but designed with a contemporary eye. My team and I worked to create something that transcends borders—a true global collection.”

Throughout her presentation, Sophia made sure to highlight the contributions of her team. “Emily was instrumental in researching the fabrics,” she said, gesturing to her assistant. “And the embroidery design was a collaborative effort with James, our lead stitch artist.”