Tagore

SUBHA

SUBHA
(Rabindranath Tagore, THE MACMILLAN COMPANY)

When the girl was given the name of Subhashini, who could have guessed that she would prove dumb? Her two elder sisters were Sukeshini and Suhasini, and for the sake of uniformity her father named his youngest girl Subhashini. She was called Subha for short.

Her two elder sisters had been married with the usual cost and difficulty, and now the youngest daughter lay like a silent weight upon the heart of her parents. All the world seemed
to think that, because she did not speak, therefore she did not feel; it discussed her future and its own anxiety freely in her presence. She had understood from her earliest childhood that God had sent her like a curse to her father's house, so she withdrew herself from ordinary people and tried to live apart. If only they would all forget her she felt she could endure it. But who can forget pain? Night and day her parents' minds were aching on her account. Especially her mother looked upon her as a deformity in herself. To a mother a daughter is a more closely intimate part of herself than a son can be; and a fault in her is a
source of personal shame. Banikantha, Subha's father, loved her rather better than his other daughters; her mother regarded her with aversion as a stain upon her own body.

If Subha lacked speech, she did not lack a pair of large dark eyes, shaded with long lashes; and her lips trembled like a leaf in response to any thought that rose in her mind.

When we express our thought in words, the medium is not found easily. There must be a process of translation, which is often inexact, and then we fall into error. But black eyes need no translating; the mind itself throws a shadow upon them. In them thought opens or shuts, shines forth or goes out in darkness, hangs steadfast like the setting moon or like the swift and restless lightning illumines all quarters of the sky. They who from birth have had no other speech than the trembling of their lips learn a language of the eyes, endless in expression, deep as the sea, clear as the heavens, wherein play dawn and sunset, light and shadow. The dumb have a lonely grandeur like Nature's own. Wherefore the other children almost dreaded Subha and never played with her. She was silent and companionless as noontide.

The hamlet where she lived was Chandipur. Its river, small for a river of Bengal, kept to its narrow bounds like a daughter of the middle class. This busy streak of water never overflowed its banks, but went about its duties as though it were a member of every family in the villages beside it. On either side were houses and banks shaded with trees. So stepping from her queenly throne, the river-goddess became a garden deity of each home, and forgetful of herself performed her task of endless benediction with swift and cheerful foot.

Banikantha's house looked out upon the stream. Every hut and stack in the place could be seen by the passing boatmen. I know not if amid these signs of worldly wealth any one noticed the little girl who, when her work was done, stole away to the waterside and sat there. But here Nature fulfilled her want of speech and spoke for her. The murmur of the brook, the voice of the village folk, the songs of the boatmen, the crying of the birds and rustle of trees mingled and were one with the trembling of her heart. They became one vast wave of sound which beat upon her restless soul. This murmur and movement of Nature were the dumb girl's language; that speech of the dark eyes, which the long lashes shaded, was the language of the world about her. From the trees, where the cicalas chirped, to the quiet stars there was nothing but signs and gestures, weeping and sighing. And in the deep mid-noon, when the boatmen and fisher-folk had gone to their dinner, when the villagers slept and birds were still, when the ferry-boats were idle, when the great busy world paused in its toil and became suddenly a lonely, awful giant, then beneath the vast impressive heavens there were only dumb Nature and a dumb girl, sitting very silent,—one under the spreading sunlight, the other where a small tree cast its shadow.