Isabelle was raised to fear sin. She never expected to crave it. After a violent raid leaves her with nothing but a child and a past that could get her killed, she disappears into a lawless town and becomes someone else. Lilith Hale. But lies don't survive women like Josephine, a cold-eyed cowgirl who sees too much, gets too close, and doesn't believe in forgiveness. Isabelle should fear her. Instead, she can't stay away. What grows between them is wrong in every way Isabelle was raised to believe-and impossible to resist. Because the closer she gets, the more her faith begins to fracture... into something darker, something consuming. Something that feels like truth. And some sins don't ask to be forgiven. They demand to be chosen. ____ This is set in 1849 California. (It's WLW)

Mallie has never been on the receiving end of luck. From a broken home to an unfortunate start to adulthood, the 19 year old is no stranger to danger. Her past haunts her like a ghost following her, making sure she looks over her shoulder more than she looks ahead. But, beneath the surface of the chaos is just young girl just trying to survive in a world where she does not see herself making it. Valeria Bernardi is a force. She commands respect in every room she enters, every corner she sees, and specifically every person she encounters. The 27 year old thrives on power. To her, it's not about the kill, it's about the reminder to those who doubt her capabilities, that they'd wish they never walked the earth long enough to cross her path. The law is below Valeria. Justice is her doing, and people are just chess pieces. When worlds collide, the two must find balance and compromise in a world where violence and power is all they've understood. For a girl who's just trying to keep afloat, and a leader who has no time for nonsense. Valeria could either be Mallie's saviour or worst enemy. Side note: This story is directed to those strictly aged 18 and above as it contains a lot of mature themes and idealisations. Some topics may be found as upsetting to many individuals so people do not take the AN lightly ꨄ

She met her before the lecture. Before the name. Before the rules. Just a lighter, a glance, and a moment that meant nothing. Or at least, that's what Sylvia thought.

Vera Kane knows two things to be true: the night her aunt died, she ran-and truth doesn't save you. When the woman who raised her is found dead in their home, Vera becomes both witness and suspect. There is no weapon. No confession. Only a history of domestic conflict no one ever documented, and a silence Vera refuses to fill with pleas or explanations. Assigned to the case is Detective Margot Hale, a woman who believes innocence is earned, not given. Trained to read behavior as motive, Margot finds Vera's calm unsettling, her honesty incomplete, her relief impossible to ignore. Every answer Vera gives feels correct-and wrong. As the investigation tightens, the line between observation and obsession begins to blur. Margot searches for the truth. Vera watches how belief is constructed. And somewhere between grief, power, and unspoken understanding, both women are forced to confront an uncomfortable question: What if guilt is not about what you've done-but how you survive? A psychological crime thriller about abuse, attribution, and the dangerous space between truth and belief.

𝗦𝗼𝗹𝗶𝗽𝘀𝗶𝘀𝗺 (/ˈsɒlɪpsɪz(ə)m/ from Latin solus, meaning "alone", and ipse, meaning "self") is the philosophical idea that only one's own mind is sure to exist. As an epistemological position, solipsism holds that knowledge of anything outside one's own mind is unsure; the external world and other minds cannot be known and might not exist outside the mind. Cecilia Mae Bennett has always lived slightly outside the rhythm of other people's lives. Brilliant, restless, and chronically late, she moves through the world with a careless confidence that hides a mind constantly turning inward-toward loneliness, thoughts, and questions that refuse simple answers. At university, she finds herself in the lecture hall of Professor Eleanora Dalton. Dalton is everything Cecilia is not: composed, exacting, and impossible to read. A philosopher who believes thinking is a discipline, not a performance. Unlike Cecilia she's someone who takes morbid pleasure in complete solitude. She has little patience for interruptions-especially not from a student who arrives late and looks at her as though she were something to be studied. What begins as irritation gradually becomes something more difficult to name. The lines that once seemed clear-professional, ethical, necessary-begin to lose their certainty. Recognition rarely arrives politely. And once it does, it refuses to disappear. In the end, both are forced to confront a quieter truth: that some desires endure despite restraint, and that silence can unsettle even the most carefully controlled life.

When Esme Reed, a free spirited, whimsical 21 year old enters Ms. Clarke's class, she is immediately out of place. Ms. Clarke runs her classroom with quiet authority, every detail deliberate, every boundary clear. She does not tolerate carelessness, and she certainly doesn't indulge it. And Esme, with her ink-smudged hands and tendency to lose herself in daydreams, feels like a disruption from the very first moment. And yet, she pays attention. More than she should. What begins as irritation becomes awareness. What should remain professional begins to blur at the edges. Small moments build into something harder to dismiss, something neither of them is prepared for. Because some lines aren't meant to blur. And crossing them has consequences neither of them can take back.

It was meant to be just a celebration. Nothing more, nothing less - or so Cecilia Roth thought , a German major trying to keep her life simple. She never, in her wildest imagination, would have expected to catch her new professor in unprofessional behavior with one of her former colleagues. Professor Dietrich - feared for her coldness, her discipline, her distance - caught in a moment that changes everything. And professor Dietrich? She doesn't let things slide. Especially not when it comes to Cecilia. Between rebellion and power, emotion and emptiness, a tension begins to grow. A glance turns into something more. A line starts to blur. And maybe, in the end, Cecilia will question more than just her professor.

WLW AGE GAP | TXS Eliza Whitmore knows better. As a professor, she's built her life on discipline and distance, and Blaire is a line she should never even think about crossing. But attraction doesn't ask permission. What begins as a quiet awareness turns into something harder to ignore, forcing Eliza to wrestle with desire she knows is wrong and feelings she can't seem to stop. This is a story about forbidden longing, restraint under pressure, and the dangerous pull of wanting what you absolutely cannot have. 21 year old Blaire Thorne

Marley Vaughn used to be the CIA's top field operative-spying, infiltrating, eliminating targets, doing whatever the agency demanded. Then a mission went bad, she got hurt, and they tossed her aside like she was nothing. Now she's coming for Carina Delaney, the cold-hearted and manipulative Director of the CIA who let it happen. Marley wants revenge. But getting close to Carina isn't just dangerous-it's messing with her head. The woman she swore to hate might be the only one she can't stay away from. And in this game, falling for the enemy could be the most dangerous move of all. Highest Ranking #1 - icequeen - 23/02/2026 #1 - cia - 22/03/2026