Conan Hill is a trans male looking to escape his haunting past. He wants nothing more than to keep his head down and remain unnoticed at his new school, though that is quite difficult when the captain of the track team seems to have fallen for him. ***** Life has been hard for Conan. In hopes of escaping past bullies and finding a fresh start where no one knows who he used to be, his family decides to move from Texas to Massachusetts. He makes a promise to himself that he will survive high school by going unnoticed and avoiding any conflict that might reveal his former identity. But this ends up being more difficult than expected when the school's golden boy and popular jock, Owen Wilson, takes up a keen interest in him. Could this be the beginning of something beautiful for Conan, or just another chapter of his life that he would have to run away from? Content/trigger warning: This story contains themes of bullying, transphobia, homophobia, abuse, and suicidal thoughts, as well as sexual activity. [[word count: 80,000 - 90,000]] Cover designed by Jenna Conrad

GROUNDHOG DAY mixed with SIXTEEN CANDLES and a splash of DOCTOR WHO. A boy forever reincarnated as himself meets his soulmate for the 200th time, but can she solve the puzzle and break the curse to make herself his last? ***** Martha Beckett's life is over, or so it feels after her father moves her from California to Illinois in the middle of her junior year of high school. But on her first day in her new school, she finds a peculiar boy waiting for her. James is cute, friendly, and obviously too good to be true. Her skepticism proves justified after he confides in her his secret: after he dies, he is reincarnated as himself to live his life again and again and again... Retaining all knowledge and skill acquired in his previous lives and with a general understanding of future events, James is effectively superhuman. And while Martha enjoys the inherent perks of associating with such a boy, she comes to learn of the despair and exhaustion underneath it all. With no permanent consequence or hope of release, James struggles to stave off nihilism with Martha his one tether to humanity. FOR THOSE WHO DON'T BELIEVE IN LOVE SONGS is, in fact, a love story, albeit a complicated one. Can Martha reconcile with the fact that James has loved hundreds of other Marthas before her and will most likely love hundreds thereafter? Is James' choice to engage and confide in Martha irresponsible and selfish? Would she be better off living her life unaware of the cosmic freak who has loved her for millennia? [[Winner of Watty's 2020 in Literary Fiction]] Content and/or Trigger Warning: brief sexuality, brief violence, mild language, brief focus on suicide. cover by @JELyrica