Modern approach
11 histórias
[Krishn Snehita] ☑️ de dwarkaratna
dwarkaratna
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    Capítulos 37
"Gudiya, you are too mature than your age. Then why do you do such kinds of mischiefs frequently?" Dau asked to Subhadra in amusement. "Your mischiefs both mesmerise, and put us into miseries," Kanha too joined dau. "Mischief is the cheerfulness of childhood. So, there's nothing wrong in doing mischiefs in childhood, Dau!" Saying so Subhadra jumped into dau's arms. "Bhratashri, each coin has two sides so as my mischiefs too, simple!" She pulled Kanha to her embrace from other side making their picture of happiness complete. This story holds the cherished days of Subhadra's childhood under love and care of her brothers. Welcoming all of you to the fourth part of Yadav Jyoti series. This journey has to go far, to be felicitated.
[Once In A Millennium] ☑️ de dwarkaratna
dwarkaratna
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"It wasn't easy all the way It wasn't easy all the time It wasn't easy both ins and outs Still we found the turn To stand at, together with each other" Arjun and Subhanwita, two opposite personalities tied knot due to unfavorable situation. Subha had a caring embrace to soothe all the worries of Arjun's life while the later one wasn't so easy to be convinced to let anyone be close to him. The path of spirit to his life was hindered from long due his past. The death of his mother, years long silence of his father, misunderstanding of his younger sister and at last a miserable memory of his college life used to pull his believe back from positivity at each point. Being unaware about the last said fact Subhanwita attempts to make him be aspired about life. Will she get success ever or the matter will be worse? How happiness will bloom among hardships? Peep into the story to explore the answers. Cover credit @exuberant_girl10
[Forever for you] ☑️ de dwarkaratna
dwarkaratna
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    Capítulos 37
Trisha who was a reporter in profession faced the last and the worst tragedy of her life while collecting some confidential news about local mafia Dikarsh singh. Even after that she didn't back out from her mission. She was an aimless wanderer till the time she met Parth. Parth, who was officially known as Savyasachi sanyal befriended with Trisha, and both established a good bond in a few days. After friendship love entered into Parth's life in name of Subhashikta Mishra. Parth was the most desirable handsome hunk in college while Subha was a simple fresher. Both were opposite in thoughts, but that made them come together finally. After being in love somehow Trisha had become a third party in between Parth and Subha, but not in a villainous way.Trisha's good way of being a third party came out of curtain when both Parth and Subha faced a threat of fatal attack on themselves. What was Trisha's good way of being a third party? Cover credit @exuberant_girl10
[Narottam Nakshetra] ☑️ de dwarkaratna
dwarkaratna
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Subhadra was a person in her own more than her identities as Veer Sodari, Veer Patni and Veer Mata, but her traits as a person rarely had got any place on the pages of epic. She was a goddess had been chosen to get into human life for the very first time. She had faced interruption in her very much expected happy childhood, chaos in love story, disturbances in married life, and demands of sacrifices. She was asked to share her rights as a daughter and a sister when she was the only one to have those. She had to put her shares down as a wife and a mother when she could be the sole owner of those in her own sphere. Each moment of sharing created space for battlefield in her heart not to be shared with anyone. Those wars were never recognised since she was a lone warrior who carried great loads, gracefully. How she would have struggled for making her life choices? How she would have felt while presenting herself in service of her elder co wife? How her days had been as a single mother and a single queen mother? How she would have tackled separations, silence, and so many expectations in her whole life? The immortal Goddess had become an immortal tale only to get ignored at the end.