A Christmas Carol tells the story of bitter and miserly Ebenezer Scrooge and his ideological, ethical, and emotional transformation resulting from supernatural visits by Jacob Marley and the Ghosts of Christmas Past, Present, and Yet to Come.

Treasure Island follows young Jim Hawkins, who finds himself owner of a map to Treasure Island, where the fabled pirate booty is buried; honest Captain Smollett, heroic Dr. Livesey, and the good-hearted but obtuse Squire Trelawney, who help Jim on his quest for the treasure; the frightening Blind Pew, double-dealing Israel Hands, and seemingly mad Ben Gunn, buccaneers of varying shades of menace; and, of course, garrulous, affable, ambiguous Long John Silver, who is one moment a friendly, laughing, one-legged sea-cook . . .and the next a dangerous pirate leader. The unexpected and complex relationship that develops between Silver and Jim helps transform what seems at first to be a simple, rip-roaring adventure story into a deeply moving study of a boy’s growth into manhood, as he learns hard lessons about friendship, loyalty, courage and honor—and the uncertain meaning of good and evil.

"The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado") is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective. Cover by the lovely @theygotnone

"The Pit and the Pendulum" is a short story written by Edgar Allan Poe and first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, though Poe skews historical facts. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the reader because of its heavy focus on the senses, such as sound, emphasizing its reality, unlike many of Poe's stories which are aided by the supernatural. The traditional elements established in popular horror tales at the time are followed, but critical reception has been mixed. Cover by the lovely @KatrinHollister

"The Tell-Tale Heart" is a short story by American writer Edgar Allan Poe, first published in 1843. It is relayed by an unnamed narrator who endeavors to convince the reader of his sanity while simultaneously describing a murder he committed. The victim was an old man with a filmy "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, and he hides the body by dismembering it, and hiding it under the floorboards. Ultimately, the narrator's feelings of guilt, or a mental disturbance, result in him hearing a thumping sound, which he interprets as the dead man's beating heart. Cover by the lovely @FayLane.

Fantine is a fictional character in Victor Hugo's 1862 novel Les Misérables. She is a young orphaned grisette in Paris who becomes pregnant by a rich student. After he abandons her, she is forced to look after their child, Cosette, on her own. Originally a pretty and naïve girl, Fantine is eventually forced by circumstances to become a prostitute, selling her hair and front teeth, losing her beauty and health. The money she earns is sent to support her daughter. Fantine became an archetype of self-abnegation and devoted motherhood. Possibly due to her status as an orphan, Hugo never labels her with a surname. She has been portrayed by many actresses in stage and screen versions of the story and has been depicted in works of art. Cover by: @Theygotgone

Cosette is a fictional character in the novel Les Misérables by Victor Hugo. Her birth name, Euphrasie, is only mentioned briefly. As the orphaned child of an unmarried mother deserted by her father, Hugo never gives her a surname. In the course of the novel, she is mistakenly identified as Ursule, Lark, or Mademoiselle Lanoire. She is the daughter of Fantine, who leaves her to be looked after by the Thénardiers, who exploit and victimise her. Rescued by Jean Valjean, who raises Cosette as if she were his own, she grows up in a convent school. She falls in love with Marius Pontmercy, a young lawyer. Valjean's struggle to protect her while disguising his past drives much of the plot until he recognizes "that this child had a right to know life before renouncing it"-and must yield to her romantic attachment to Marius. Cover by: @Theygotgone

Marius Pontmercy (French pronunciation: ​[maʁjys pɔ̃mɛʁsi]) is a fictional character, one of the protagonists of Victor Hugo's 1862 novel Les Misérables. He is a young student, and the suitor of Cosette. Believing Cosette lost to him, and determined to die, he joins the revolutionary association Friends of the ABC, which he associates with, but is not a part of, as they take part in the 1832 June Rebellion. Facing death in the fight, his life is saved by Jean Valjean, and he subsequently weds Cosette, a young woman whom Valjean had raised as his own. Cover by: @Theygotgone

After Éponine's release from prison, she finds Marius at "The Field of the Lark" and sadly tells him that she found Cosette's address. She leads him to Valjean's and Cosette's house on Rue Plumet, and Marius watches the house for a few days. He and Cosette then finally meet and declare their love for one another. Thénardier, Patron-Minette and Brujon manage to escape from prison with the aid of Gavroche. One night, during one of Marius's visits with Cosette, the six men attempt to raid Valjean's and Cosette's house. Cover by: @Theygotgone

Alexandre Dumas elaborated on the story in the novel The Vicomte of Bragelonne: Ten Years Later, the final installment of his D'Artagnan saga: here the prisoner is forced to wear an iron mask and is Louis XIV's identical twin. Dumas also presented a review of the popular theories about the prisoner extant in his time in the chapter "L'homme au masque de fer" in the sixth volume of his Crimes Célèbres.