{WATTY'S 2020 WINNER & EDITOR'S PICK.} Hopeless romantic and aspiring writer Mare Atwood has fallen madly in love with her childhood correspondent. There's only one catch-she doesn't know who he is. When the beaus of Star's Crossing return from boarding school to begin the courting season, Mare is determined to uncover the identity of her writer, flout her family's intentions of orchestrating an advantageous marriage, and procure the life of writing and romance she's always sought. But as in the tales she so adores, it won't be easy. Galas, masquerades, picnics, and hunts-alongside an old friend, a former teacher, and an unlikely ally, Mare delves into an investigation that leaves her torn between three clever, deceptive, and wealthy young bachelors. If Mare can confirm which is her writer and claim his hand before the courting season ends, she'll have her wish: the love of her life, a valuable marriage, and a future of writing romance. But with the eyes of Star's Crossing upon her, a business plot forcing invisible hands, and the unwillingness of her writer to come forward-Mare's future may not end in triumph, but tragedy. Set against the gilded Victorian backdrop of coastal Connecticut and lush with pre-war luxury, fans of Jane Austen, Margaret Mitchell, and Louisa May Alcott are sure to enjoy this lighthearted, lyrical novel of young love, independence, and identity. #1 Literary #1 YA Romance #1 Victorian #1 Lyrical #8 General Fiction

2020 WATTYS WINNER in NEW ADULT! Oliver Ausman has been given a second chance at life, but it's hard to feel grateful when he was the one trying to end it in the first place. Returning to his normal life after being released from the hospital is hard, especially since his parent's idea of normal is made up of dinner parties, prep school, fancy suits, and fake manners-- all paired with a complete disregard for the mental health of their firstborn. He's long been fed up with it, but the final straw is when he finds out that his "father" isn't actually his father at all. Oliver decides he's had enough of the perfect facade, so he packs a suitcase and grabs his younger brother, "borrowing" his mother's car to sneak off on a trip to find his biological father. But he never expected to pick up a girl with her own similar set of problems, to be followed across the country by a money-hungry pair of criminals, or most of all, to find out that maybe this life thing isn't as bad as he thought. 𝐂𝐎𝐌𝐏𝐋𝐄𝐓𝐄𝐃 (𝐮𝐧𝐞𝐝𝐢𝐭𝐞𝐝) - 𝟏/𝟐𝟐/𝟐𝟎

Penn Romero is a smart girl. Smart girls don't get involved with their professors. ***** It begins with a casual meeting at a speakeasy. It begins with a drink. It begins with a stolen stare. It begins with the not-knowing, the secrecy, the sneaking around. Penn Romero hardly knew what she was getting into when she was drawn in by Chase Steele's magnetism, and she hardly knew he'd be her new Film Theory professor. Against everything she's ever known, against everything she should do, she stills falls into a dark spiral of manipulation that keeps her trapped in a spider web, losing sight of who the real Penn is--all that's left is what he has made of her and all he's taken. It ends with him taking and taking. It ends with the should've-knowns. It ends in ruin. ***** THIS IS NOT A ROMANCE. DON'T ADD THIS TO ROMANCE READING LISTS, PLEASE. [[THE AMBYS 2024 TOP PICK IN CONTEMPORARY]] © 2021 caterina george // all rights reserved