Short poems and a wandering mind. Life and love in the twinkle of a bird's eye. "Evening light fits the cove rock, a mouthful of gold. Cormorant bathes in amber, deeply still..." #29 non-fiction, #38 poetry. #5 haiku! These are in lots of different styles, free verse, rhymes, sonnet and other forms. Thank you for all your reads, votes and comments. You bring it alive! Thank you for visiting. Call again:) Rose. words and many images copyright all rights reserved cora-2 / @ RosyCarmelina 2019 :)) cover image J J Harrison Creative Commons share alike 3.0 Wikipedia page : cuckoo

Jacob's poetry collection, The Glass Sponge, traces family moments in "Dream House" through the "…lazy moonlight" as the sound barrier is broken, warning us, Ozzy and Harriet have stepped out. A tenderness emerges through the fear and angst of family abuse with a compassionate eye and an intimate understanding of the toll abusers demand. —Diane Smith, Founder and Editor of the Award Winning Journal Grey Sparrow published by Grey Sparrow Press: a 501C3 Corporation The Glass Sponge can be purchased and read in its entirety at http://julesjacob.com http://finishinglinepress.com and Amazon at http://www.amazon.com/The-Glass-Sponge-Jules-Jacob/dp/1622291557

In a world where jugglers entertain on the street, a boy loses his parents in a factory fire. Taken from the Lower East Side to New England, Harry is abandoned at The Elizabeth Home for Destitute Children. In Theda Bara’s Tent follows the spirited boy’s quest for love and prosperity. He finds comfort at the movies and is befriended by the young theater owner, Louie, who will one day become a Hollywood legend. The orphanage closing is the beginning of Harry’s adventures in a wider world. He encounters screen stars, Tin Pan Alley song pluggers, bootleggers, dare-devil cameramen, movie moguls, and a young gossip columnist who steals his heart. Rich in historical context, with a cast of characters real and imagined from the movies’ early days, this page-turner follows Harry Sirkus as he makes a mark in the flourishing film industry and goes on to become a famous news broadcaster. Harry’s personality is so captivating and vivid readers will be hard-pressed to remember that the author made him up.

Random poetry and the occasional drabble or dribble of other short random thought from the depths my somewhat bemused brain, or possibly Brian if the schizophrenic misspelt pseudo entity that lives up there is up to his old tricks... poems from the Tardis like halls of my head. No genre is safe...

An awkward boy learns the true meaning of courage and beauty when magic and violence threaten to destroy his world.

Bringing together "Oryx and Crake" and "The Year of the Flood," this thrilling conclusion to Margaret Atwood's speculative fiction trilogy points toward the ultimate endurance of community, and love. Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb. Zeb has been searching for Adam One, founder of the God's Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb's dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge. Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . . Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . . By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

This is Margaret Atwood at the absolute peak of her powers. For readers of "Oryx and Crake," nothing will ever look the same again. The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter.