[On hiatus] Basically xreader one shots with gods and godesses from different pantheons (Greek, Norse, Egyptian, Roman...) Also, sorry if I make spelling mistakes. I hope you enjoy~

Aakarshika was the dying embers of a fading fire, dissolving into oblivion until her hand is promised to the sovereign of Dwarka. Righteous fury shrouds her soul, wine hued ire cloaking her virtuous mind. The trials of her life have weighed her down with burdening shackles that she bears on her heart, but the charming man with a mischievous smile just might be her saviour. But when has Aakarshika ever needed a man to shield her from her distress? ══✿══╡°˖✧✿✧˖°╞══✿══ In collaboration with @a_Vagrant

(Previously known as subhadrasutaa the epitome of bravery) Abhimanyu sodari, Subhadra nandini, Parth aatmaja The chirpy little princess of indraprastha. Heartbeat of charudeh. She was away from her father for 13 years. She was always demotivated. "Bhagu? Don't your father care of yours?" Drishti asks. "No it's not like that." Bhargavi excused. "So what bhargavi? Why he isn't here to take care of you. I think that he doesn't love you anymore." Dhrishti smirked. "Aww poor bhargavi." All her freinds said. "Shut up you all!" Bhargavi shouts. "Look at this fatherless girl, we are sympathizing her and she is shouting on us." All said. A tear passed from her eye. "Get lost all of you. Bhargavi isn't fatherless, you all go or.. " a voice come from behind her. "Charudeh.... ❦ ════ •⊰❂ - ❂⊱• ════ ❦ #1 in shavee (10/3/2023) #3 in bhargavi (10/3/2023)

A sojourn it is. ❝His scent is petrichor. He shall always be the golden page of my recollections, of beautiful memories. The greatest archer of the time❞ Derived from the Sanskrit word स्मरण (smaraṇa, "the act of remembrance, remembrance, reminiscence, recollection") which leads to the realization of that which is of the highest aspect and purpose in one's life, she shall be true to her name. Mahabharata a heroic tale of ancient times. It is the truth of life. What shall happen when a girl who has always been fantasized by the royal and colossal epic is fortunate to tumble in the era for a sojourn only to return back? It is her journey to learn and nourish the seed of dharma she has in her heart. After the cacophony of storms the trees get uprooted but the saplings stay rooted to the firm ground. Simultaneously, the blasphemy of kaliyug has uprooted many trees of righteousness, but can that little seed of dharma germinated within her make the era prosper with evergreens? HELLO MAHABHARATA| Copyright © 2020 by womenwhobleedsink (To get more insights of her stay in Dwapar yug, sign into her journal 'My days in Mahabharata')

A girl who is heartless, ruthless , maniac, unsympathetic, fearless, a girl who likes to control is thrown in dwapar yug, what will she do? ............................ "IF I CANNOT MOVE HEAVEN I WILL RAISE HELL" "WHAT I CREATE IS CHAOS" " INSTED OF BEING AFRAID I CAN BECAME SOMEONE WHO IS FEARED " "I AM BORN A LEADER NO THRONE OR CROWN IS NEEDED " "I DON'T NEED A WEAPON CAUSE I WAS BORN ONE " ........................................... They thought she was delicate Like a pretty, little flower But she is much more than that She holds extraordinary power They thought they could crush her Like a daisy in their hands Yet there is something about her They do not understand She is a wildflower The type you cannot tame The girl who brings the sun And the girl who brought the rain There is venom in her blood And danger in her eyes But she hides her power well You cannot find even if you tried They didn't believe in her Because they thought she was weak But she was not the flower She was snake underneath ~Serpent ............................................. "Stop fighting like a girl" he said in a mocking tone which didn't faze her at all "You know what . Majority of men use fist to fight, if I fought like a girl I would rip your head with my nails . ... Or teeth and yes you would beg me to stop " .......................................... This story is based on pure fiction. No intention to harm any interest of particular community or language or cast

𝐁𝐇𝐀𝐍𝐔𝐌𝐀𝐓𝐈 𝐧𝐞𝐯𝐞𝐫 𝐡𝐚𝐝 𝐚𝐧 𝐞𝐚𝐬𝐲 𝐥𝐢𝐟𝐞 𝝖𝐟𝐭𝐞𝐫 𝐡𝐞𝐫 𝐦𝐨𝐭𝐡𝐞𝐫'𝐬 𝐝𝐞𝐚𝐭𝐡 𝐡𝐞𝐫 𝐟𝐚𝐭𝐡𝐞𝐫 𝐟𝐨𝐫𝐠𝐨𝐭 𝐡𝐞𝐫, 𝐡𝐞𝐫 𝐧𝐞𝐰 𝐦𝐨𝐭𝐡𝐞𝐫 𝐝𝐨𝐞𝐬𝐧'𝐭 𝐥𝐨𝐯𝐞 𝐡𝐞𝐫. S𝐡𝐞 𝐢𝐬 𝐭𝐫𝐞𝐚𝐭𝐞𝐝 𝐥𝐢𝐤𝐞 𝐚 𝐦𝐚𝐢𝐝 𝐢𝐧 𝐡𝐞𝐫 𝐨𝐰𝐧 𝐡𝐨𝐦𝐞 𝐒𝐭𝐢𝐥𝐥 𝐬𝐡𝐞 𝐭𝐚𝐤𝐞𝐬 𝐚𝐥𝐥 𝐭𝐡𝐞 𝝞𝐧𝐣𝐮𝐬𝐭𝐢𝐜𝐞 𝐝𝐨𝐧𝐞 𝐭𝐨 𝐡𝐞𝐫 𝐢𝐧 𝐡𝐨𝐩𝐞 𝐭𝐡𝐚𝐭 𝐭𝐡𝐢𝐧𝐠𝐬 𝐦𝐢𝐠𝐡𝐭 𝐜𝐡𝐚𝐧𝐠𝐞 𝐭𝐨𝐦𝐨𝐫𝐫𝐨𝐰. 𝐃𝐔𝐑𝐘𝐎𝐃𝐇𝐀𝐍 ,𝐓𝐡𝐞 𝐀𝐠𝐫𝐞𝐬𝐬𝐢𝐯𝐞 𝐲𝐨𝐮𝐧𝐠 𝐏𝐫𝐢𝐧𝐜𝐞, 𝐰𝐡𝐨𝐬𝐞 𝐞𝐠𝐨 𝐢𝐬 𝐚𝐥𝐥 𝐭𝐡𝐚𝐭 𝐦𝐚𝐭𝐭𝐞𝐫𝐬 𝐭𝐨 𝐡𝐢𝐦. 𝐀 𝐦𝐚𝐧 𝐭𝐡𝐚𝐭 𝐨𝐧 𝐭𝐡𝐞 𝐠𝐮𝐢𝐝𝐚𝐧𝐜𝐞 𝐨𝐟 𝐡𝐢𝐬 𝐜𝐫𝐮𝐞𝐥 𝐮𝐧𝐜𝐥𝐞 𝐒𝐡𝐚𝐤𝐮𝐧𝐢 𝐡𝐚𝐬 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐞𝐝 𝐠𝐫𝐞𝐚𝐭 𝐒𝐢𝐧𝐬. 𝐇𝐢𝐬 𝐩𝐚𝐫𝐞𝐧𝐭𝐬 𝐰𝐞𝐫𝐞 𝐧𝐞𝐯𝐞𝐫 𝐜𝐥𝐨𝐬𝐞 𝐭𝐨 𝐡𝐢𝐦, 𝐡𝐞 𝐰𝐚𝐬 𝐚𝐥𝐰𝐚𝐲𝐬 𝐭𝐚𝐮𝐠𝐡𝐭 𝐭𝐨 𝐣𝐮𝐬𝐭 𝐡𝐚𝐭𝐞. 𝐖𝐇𝐀𝐓 𝐇𝐀𝐏𝐏𝐄𝐍𝐒 𝐖𝐇𝐄𝐍 𝐃𝐄𝐒𝐓𝐈𝐍𝐘 𝐇𝐀𝐕𝐄 𝐒𝐎𝐌𝐄 𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐓 𝐏𝐋𝐀𝐍𝐒 𝐅𝐎𝐑 𝐓𝐇𝐄𝐌 .𝐖𝐢𝐥𝐥 𝐁𝐡𝐚𝐧𝐮𝐦𝐚𝐭𝐢 𝐆𝐞𝐭 𝐭𝐡𝐞 𝐥𝐨𝐯𝐞 𝐬𝐡𝐞 𝐡𝐚𝐬 𝐚𝐥𝐰𝐚𝐲𝐬 𝐥𝐨𝐧𝐠𝐞𝐝 𝐟𝐨

The history is written by victors.in the case of the great Mahabharata, the story was written in favour of the pandavas. Boring, boring, boring... So in my version let's look at the war from duryodhan's perspective... Let's see him justify his acts *wink*

Just before he went for the war, he pulled me by my waist and whispered in my ear, "Just because of this small separation, it does not mean you and I are not destined to be. There is no end to our story." Niyathi, the youngest Princess of Panchala, the demigod daughter of Agnidev. She belonged to time where women are puppets and men are the one who held their string. But the demigod refused to be controlled by a mere man and wanted to pave her own destiny. Bearing the taunts of the society, and desperately trying to flee from the clutches of her father, Niyathi found herself in a tantalizing position. Adding to this, the strange dreams and strange occurrence around her threatened to pull her into a dark abyss. Adithya. The man from her dreams felt like a ghost from her past. The Mysterious Adithya, Her Father's Reputation and The Fate she desperately wanted. Confused between the three, Niyathi stood there contemplating her life choices. Join the Mysterious Saga of Niyathi to know more about her.

This book is a collection of stories of Hindu Mythology. Indian is land of multiculturism and so is its stories.

This book is written in the form of a socio-religious critique of the Hindu faith and practice.