Frida started sketching something with her stylus, eyes flicking to her screen as she adjusted the axes of a diagram, mumbling, "...and then this boundary layer here starts behaving like a switch... not instant, but sharp. Sharp enough." Inés leaned in to see. "You mean like a Heaviside approximation?" Frida rolled her eyes, barely biting back a grin. "No. I mean like an actual boundary layer. I thought you said you weren't rusty." That earned her a low hum from Inés - amused, maybe a little provoked. "You want sharp? I'll give you sharp," she muttered, reaching for her own laptop, the tip of her manicured nail clicking a little too decisively on the trackpad. "You're missing the substructure that governs the transition here-see?" Frida glanced over. "That's an assumption, not a proof." "Do you want this to work or do you want it to be romantic?" Frida laughed - surprised and a little breathless. "God. Is that how you think I talk about math?" Inés tilted her head, lips curling. "Only when you're trying to seduce me with it." Frida blinked. Her ears went hot. "I'm not-" "Not trying?" Inés cut in, pretending to glance back at the diagram, feigning innocence, but there was no missing the gleam in her eye. "Shame. Because it's working." Frida looked away sharply, pressing her fingers to the corner of her mouth like she could keep a smile in by force. "You're infuriating." "You're distracted." "You're distracting." Inés made a quiet, pleased sound at that and sat back for a moment, the back of her hand brushing the edge of Frida's chair. "Tell me more about the way you're treating the constraint set when it fractures," she said finally, voice smooth again, back in control - or pretending to be. Frida inhaled and kept going, though her voice was slightly lower now, the words sticking a little as she spoke.

A sudden vacancy at the school brought a new face into the classroom-calm, confident, and focused. Students whispered about her professionalism, unaware of the past she was trying to leave behind. Isla Carter had taken the role hoping for a fresh start, a chance to escape old regrets. Teaching science was her passion, but her history weighed heavily on her, and she wanted nothing more than a clean slate. Everything changed when she met Alexis. Troubled, rebellious, and fiercely independent, Alexis resisted guidance and refused to fit into the school's expectations. Tutoring her was supposed to be straightforward, but it quickly became a challenge that tested Isla in ways she hadn't expected. As they spent more time together, a slow-burning connection emerged. Small moments of trust and honesty revealed glimpses of vulnerability in both of them. Each found in the other a strange comfort, a sense of understanding they hadn't realized they needed. But their growing bond was complicated. With past regrets, unhealed wounds, and the boundaries between teacher and student, neither Isla nor Alexis knew where this connection would lead or if it could survive the weight of their separate histories.

Mariah Jade Grey is 21 years old, freshly graduated, and trying to figure out what comes next. She's stylish, sarcastic, and guarded- always has been. After losing more than she ever talks about, she's learned not to get too close. Love doesn't stay. People don't stay. So she keeps herself safe: with ambition, independence, and the quiet ache of something missing. Kyra Reyes is 30 years old, the kind of woman with a camera in one hand and someone new on her arm- easy, unattached, free. Nothing ever sticks: not the girls she leaves tangled in her sheets, not the art that never quite feels finished, not the whispers about her being a player. But when it comes to Mariah, everything sticks. Every glance. Every laugh. Every moment that isn't supposed to mean anything, but somehow means everything. As their best friends build new lives and the city around them quiets down, Mariah and Kyra find themselves circling each other, drawn together by late nights, unspoken truths, and the weight of everything they won't say out loud. It's there in the way Kyra looks at her. It's there in the way Mariah never quite lets her go. And when the silence finally breaks, it changes everything. What they have isn't just friendship. But it isn't love. Not yet. Maybe not ever. Almost. But is almost ever enough?

Danielle Mayfield is in for a lot of trouble when she gets involved with a Scoops Ahoy employee. [Robin Buckley x fem!OC] [minor Steve Harrington x fem!OC] [Stranger Things 3 + 4]

One girl, haunted by demons she never asked for. One girl, holding onto a dream with bleeding hands. One girl, clinging to a life she never was supposed to survive. One girl-and one infuriating woman she was never meant to meet. Aurora Winters, 18, soft-spoken and sweet like spring rain, begins her second last first day of senior year. The wreckage of a car crash last Christmas stole what little safety she had left-leaving her in the bitter care of an aunt who never wanted her and a man who only knows cruelty. Bruised, quiet, alone and unraveling, Aurora is trying to survive the storm. But survival becomes complicated when a certain woman enters the picture. Valentina M. Harlow, 37, new to this part of town, new to the school, old to the weight of the world. Once a sweet girl who ached to be seen, now a woman shaped by silence and cold resolve. Sharp-tongued, guarded, emotionally untouchable, manipulative and entirely disinterested in attachments. She is the oldest daughter who walked away-from blood and businesses, from love, from everything that broke her. It's been seven years since she last let herself feel. And she likes it that way. Until Aurora. What begins as uneasy glances and sharp conversations becomes something far harder to ignore. Valentina sees the pain in the girl's eyes. The bruises beneath the surface. And suddenly, the woman who feels nothing is faced with a choice: walk away as she always has, or reach out-risking everything. This is a tale of longing and danger, where hearts shatter, wounds heal, and reopen. Again and again. A story of two women who were never meant to orbit, yet crash into each other anyway. A story of it all. Of longing that feels like ruin. Of aching that feels like home. Of broken things that refuse to stay broken. A slow unraveling, a dangerous pull. A love that could save-or destroy-them both. Maybe they'll piece themselves back together. And set the world on fire, together.

• Rhea just finished her first year of college, but with a strained relationship with her parents... she has no home to come back to during summer break. • Cami is a married woman to a selfish man. She is cold and has her walls built up around her, never letting anyone in or see the real her. • What will happen when Cami's daughter brings home Rhea for the summer and she attempts to break down those walls? ⚠️Mentions of homophobia, alcohol use, drug use, and domestic disputes⚠️ 🔞She's a smutty one🔞

Ever After High. The school where the sons and daughters of famous fairytale characters go. But this year big things are happening. The school becomes divided between the Royals, those who want to follow the natural path of their stories, and the Rebels, those who want to write their own destinies. And caught in the middle is a new, mysterious student. The son of the Wizard of Oz himself. And he's looking for revenge.

Lilith Hawthrone is a 20 year old psychology student with a complicated heart and more issues than she likes to admit. She feels too much, thinks too hard, and often drowns in the weight of her own empathy. She's curious, emotionally intense, and carries unresolved wounds especially the kind only a mother can leave behind. Valentina Salvatore is a 30 year old CEO. She's mastered control in every aspect of her life, her sharp mind cutting through complexity to build an empire. Beneath the polished exterior, however, is a woman who loves obsessively but is careful with her love, not wanting to waste it on the wrong person. She's learned to guard her heart, waiting for someone worthy of the intensity she's capable of. Where Lilith is all feelings and chaos, Valentina is order, control, and calculated precision. They come from different worlds, with different rhythms, but what if that's exactly why they fit?

She was only supposed to fill in. Not fall in love. When Lauren Stone, a sharp-tongued Mississippi strategist with a talent for crisis management, steps in as temporary Chief of Staff for Senator Kamala Harris, she expects long hours, endless meetings, and a front-row seat to the barely contained chaos of American politics. What she doesn't expect is Kamala herself, composed, powerful, and completely off limits. Their relationship begins with stolen glances and late-night policy debates. But when a snowstorm traps them together during a campaign tour, boundaries blur, secrets crack open, and a quiet, aching intimacy takes root. Now back in D.C., Kamala is still her boss, Lauren is still on the job, and the rules are painfully clear. But desire doesn't care about propriety, and love never asks for permission. Between closed door negotiations and high stakes votes, the two women find themselves tangled in something neither of them can name and neither of them is willing to lose. Southern Substitution is a slow-burn political romance about power, longing, and the people we become when no one's watching.

Maya King is a five star soccer recruit who surprises everyone by committing to Essex college. However no one is more surprised than Leighton Murray who was Maya's first love and heartbreak. When their paths cross the two try to navigate the people they once were and the people that they're becoming. [leighton murray x fem oc] [sex lives of college girls] [season 1 - ?]