*Book 3 in the Regency Series- can be read as a standalone.* Alexandra Whitlock grew up to be a romantic. However, upon her release into society at nineteen, she finds that it isn't all romance and balls. So, when she ventures to London at the ripe age of twenty for her first season, she is determined to not let anyone catch her eye. But, unfortunately, His Grace, Richard Kensington, Duke of Exeter throws a wrench in her plans. A devastatingly handsome, charming rake, she has never met a soul quite like him. When, somehow, she finds herself engaged to him for reasons far from love, she can't help but wonder whether loving him is a possibility.

𝘐𝘵 𝘪𝘴 𝘵𝘩𝘦 𝘺𝘦𝘢𝘳 1810. 𝘛𝘩𝘦 𝘯𝘦𝘸 𝘋𝘶𝘬𝘦 𝘰𝘧 𝘋𝘢𝘭𝘦𝘴 𝘩𝘢𝘴 𝘵𝘢𝘬𝘦𝘯 𝘶𝘱 𝘵𝘩𝘦 𝘥𝘶𝘵𝘪𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘶𝘬𝘦𝘥𝘰𝘮 𝘢𝘧𝘵𝘦𝘳 𝘩𝘪𝘴 𝘧𝘢𝘵𝘩𝘦𝘳, 𝘵𝘩𝘦 𝘭𝘢𝘵𝘦 𝘋𝘶𝘬𝘦'𝘴 𝘥𝘦𝘮𝘪𝘴𝘦, 𝘷𝘦𝘳𝘺 𝘸𝘦𝘭𝘭. 𝘉𝘶𝘵 𝘢𝘴 𝘶𝘯𝘧𝘰𝘳𝘵𝘶𝘯𝘢𝘵𝘦 𝘢𝘴 𝘪𝘵 𝘪𝘴, 𝘴𝘪𝘹 𝘮𝘰𝘯𝘵𝘩𝘴 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘳𝘰𝘭𝘦 𝘢𝘯𝘥 𝘩𝘦 𝘩𝘢𝘴𝘯'𝘵 𝘺𝘦𝘵 𝘶𝘵𝘵𝘦𝘳𝘦𝘥 𝘢 𝘸𝘰𝘳𝘥 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘶𝘣𝘫𝘦𝘤𝘵 𝘰𝘧 𝘮𝘢𝘳𝘳𝘪𝘢𝘨𝘦. 𝘏𝘰𝘸𝘦𝘷𝘦𝘳, 𝘵𝘩𝘦 𝘥𝘶𝘬𝘦𝘥𝘰𝘮 𝘯𝘦𝘦𝘥𝘴 𝘢 𝘋𝘶𝘵𝘤𝘩𝘦𝘴𝘴 𝘵𝘰 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦 𝘪𝘵. 𝘏𝘦𝘯𝘤𝘦, 𝘪𝘵 𝘪𝘴 𝘥𝘦𝘤𝘳𝘦𝘦𝘥 𝘵𝘩𝘢𝘵 a 𝘣𝘢𝘭𝘭 𝘸𝘪𝘭𝘭 𝘣𝘦 𝘩𝘦𝘭𝘥. 𝘼 𝙈𝙖𝙨𝙦𝙪𝙚𝙧𝙖𝙙𝙚 𝘽𝙖𝙡𝙡. ____________________________ 𝐄𝐝𝐰𝐚𝐫𝐝 𝐃𝐚𝐯𝐢𝐝 𝐌𝐨𝐧𝐭𝐚𝐠𝐮𝐞, a rakish Duke who's certain he'll never find 'true' love because he is too rich for any woman to see him beyond his wealth and power. 𝐄𝐬𝐭𝐡𝐞𝐫 𝐒𝐡𝐞𝐫𝐛𝐨𝐫𝐧𝐞, a woman who wishes to find love in anyone but a man rich in wealth and power. Cruel fate and their unshakeable will has left no space for their entanglement and yet, once they hide behind masks, they seem to forget their own selves in the longing of each other. But what will happen when the masks fall? _______________________________

Lady Cassandra Whitlock, the sister of the wealthy Duke of Somerhall, knows what is expected of young ladies in the ton such as her. She is to marry a wealthy, preferably titled, man and is to have no expectations of his fidelity. She is to remain subservient to him. However, she's never been good at meeting expectations. She is fully prepared to remain a spinster for the rest of her life until, in London, she encounters the Earl of Hawthorne, Christopher Weston, a secluded man but one who challenges all of her beliefs about society. She is instantly drawn to this elusive Lord Hawthorne, but is the farthest from prepared as one can be for an attachment.

Despite living thirty miles from London, Anabelle Latimer knows her chances of finding a husband in their sleepy village are as thin as cook's white soup. Then she discovers a kindred spirit in Mr. Fielding, the intelligent and handsome new steward from Blackwood Hall. It was a great shame that his position in life was so below her own, for he was exactly the sort of man she would have wished to marry. Anthony Fielding, tired of being the target of the ton's marriage-minded mothers, hopes to spend a relaxing week shooting and fishing in the country. Yet upon his arrival at Blackwood Hall he discovers an estate in chaos, and a friend in desperate need of help. He is quick to offer his knowledge and expertise, unaware that his generosity will have unexpected repercussions. The Steward of Blackwell Hall is a traditional Regency romance of approximately 66,000 words.

Sophia has sacrificed everything for her younger sister, Lucy. She has removed them from the only home they ever knew, taken on the care of Lucy's illegitimate son, George, and even assumed the role of a widow and mother in order to erase all hint of scandal from the boy's birth. But rumor continues to follow them like the darkest of clouds, and Sophia must adapt to her new existence as a false widow with no prospects beyond the doors of her small cottage. Lord Haughton - "Finn" to those close to him - will stop at nothing to prevent the slightest whiff of disgrace from tainting his family's name. When he learns of his younger brother's latest indiscretion-one that leaves a bastard child in his wake-Haughton rushes across the country to offer the boy's mother a comfortable living in exchange for her silence about the child's true parentage. But he arrives only to have his generous offer thrown back in his face by Sophia Brixton, a sharp-tongued and sharper-witted woman who proceeds to toss him out of her house. But just because he is banished from her home does not mean he is so easily banished from her life.

At three and twenty, Lady Susanna Beresford is at dire risk of being considered an old maid, though she is determined that nothing but the deepest love will incline her to marry, a fact that deeply vexes her mother. As the season closes in 1810 and Susanna prepares to return home to Hertfordshire unattached, she meets the very man who will indeed change her life forever. A man whom high society would deem inappropriate and forbidden based on the very colour of his skin. But there is more to this man than meets the eye, and their meeting sets in motion a series of events that will undoubtably change society as they know it forever.

In Regency England, two brothers vie for Mabel's affections. Their passionate rivalry puts her reputation on the line and tests both her sense and sensibility to the maximum. On the verge of despair, she must cast the die: to decipher the most enigmatic mind she'd ever met OR let the rakish, yet tormented man shatter her heart for one moment of sheer bliss. Very Regency, or maybe Georgian, but undeniably a historic fiction romance. If you see this book on any other site, they'd stolen it. If they're charging you for it, this is the best and free version. Please read it here. Love everyone! First Publish Date: February 2, 2021

Shakespeare's Sonnets is the title of a collection of 154 sonnets by William Shakespeare, which covers themes such as the passage of time, love, beauty and mortality. The first 126 sonnets are addressed to a young man; the last 28 to a woman. The sonnets are almost all constructed from three quatrains, which are four-line stanzas, and a final couplet composed in iambic pentameter. This is also the meter used extensively in Shakespeare's plays. The rhyme scheme is abab cdcd efef gg. Sonnets using this scheme are known as Shakespearean sonnets. Often, the beginning of the third quatrain marks the volta ("turn"), or the line in which the mood of the poem shifts, and the poet expresses a revelation or epiphany.

"Macbeth" tells the story of a brave Scottish general named Macbeth who receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the throne for himself. He is then wracked with guilt and paranoia, and he soon becomes a tyrannical ruler as he is forced to commit more and more murders to protect himself from enmity and suspicion. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of arrogance, madness, and death. Cover by @newsies-

While usually classified as a comedy, four of William Shakespeare's plays can be classified as romances: The Tempest, Pericles, The Winter's Tale, and Cymbeline. Occasionally, Cymbeline is classified as a history, since the title character was based on Cunobeline King of the Britons during pre-Roman British History from late first century BC until early 40's AD. However, the romance genre of Shakespeare's day is entirely different from the romance genre of today. In actuality, the romance of Shakespeare's day would be called a fantasy today. Cymbeline is a story with many plots and subplots, strong characters, and the supernatural. It is also a prototype of melodrama. So sit back. Enjoy the plotting. Relish in the characterization. And try not to get too confused.