In the fourth installment of the 'One in a Milyon' series, Milyon Carter faces most challenging times. While her newly wed husband, Cartier King is facing federal charges, along with Maceon Carter. No one can be trusted. As a kings queen, Milyon must overcome her heartache and grief due to the absence of her husband and take on his role in the streets.

Copyright © 2014 All Copy Rights Reserved Warning: Contains explicit sexual content for mature audiences only. A/N: THIS STORY IS CURRENTLY BEING EDITED. Milyon Carter's life has been nothing but hell for her. She witnessed both of her parents lives be taken, and practically lost her life in a burning house. But luckily, she and her brother, Maceon Carter, made it out of the flames, barely bruised. They'd survived, and were eventually separated from each other, being swallowed up by the foster care system. Maceon ran away from the first home he was placed in and never looked back, he life in the streets began at a very young age, with no one to guide him but the voice of his dead father. Maceon had no idea where his sister was, but he didn't know that she was closer than he thought. Milyon has grown into her own now, at the fresh age of seventeen, she was placed in a group home. She gained one friend, Shy'Andrea, who eventually became her right-hand, ace, and sister. They decided that they were going to run, fuck the foster care system, they were damn near grown. So, they ran with no intentions of returning, they roamed the streets, homeless and penniless, until they approached by someone offering them fast money, they realized that they had no other choice and excepted his offer. Did they make the right decision? Will Mily find her brother? Will someone be her savior?

Gold "Goldie" Monroe is a seventeen-year-old born and raised in Detroit, Michigan. She lives in Glenwood projects, where you can hope to make it out of. Her mother taught her from an early age that love, and men ain't shit, and that money is the only thing you need. Everything is going good for Gold until she has to pay off her mother's debt to a ruthless hustler. They both come up with a plan of her robbing and killing a hood famous hustler Zane "Z" Taylor for the money, but it ain't that easy getting close to him as they thought. With her mother's life on the line, and death knocking on the door can Goldie stick to the plan. © 2013 Ebony Goddess

Your suppose to hold your man down no matter what..right?That's exactly what Trinity been doing for Chance since they we're little kids, she's always had his back. Now Chance is a major drug Kingpin making big moves, and he's been changing and is haven't been for the better. How long can she hold a man down who seems like he doesn't want to be held down anymore? © 2013 Ebony Goddess

Continue on in the unique and surprising life of Tracey Howard. (DOWN ASS CHICK PART 2) This is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used factiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental and not intended by the author. Copyright © 2013 by xxmuahmuahxx All rights reserved under International and Pan-American Conventions as well as the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Tracey came from a home with an abusive mother and a rapist for a stepfather. When she falls in love with kingpin Raheem, she is intrigued by the life, money, and items he can provide for her. She will do anything to make sure nobody messes with her man or money. Tracey is a Down Ass Chick. This is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used factiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental and not intended by the author. Copyright © 2013 by xxmuahmuahxx All rights reserved under International and Pan-American Conventions as well as the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.