(yanderes x f. reader) (complete) "Greetings, players...Welcome to the game" Nine strangers. One house. No escape. In this no environment with no idea of who to trust (Y/n) can only hope for survival as the sparks of obsession ignite around her.

You are Suoh (Name), the twin sister of Suoh Tamaki. You've been hosting with your brother and some great friends for years. When a girl, Fujioka Haruhi comes in the picture and breaks a very expensive vase, she becomes a part of the Host Club. You want nothing more than to see Tamaki happy. Helping your brother reach towards his loved one won't be easy. In the process, will you ever find your soul mate? Or has he been near you this whole time? (Reader Insert)

This collection features a brilliant new translation of the Japanese master's stories, from the source for the movie Rashōmon to his later, more autobiographical writings. Ryūnosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashōmon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Ancient China is illustriously brought to life in these folk tales, legends, and stories of historical figures that routinely rank alongside such Japanese literary classics as "Rashomon" by Ryunosuke Akutagawa and Kokoro by Natsume Soseki. When they first appeared in Japanese periodicals in 1942 and 1943, they sparked a potentially rich and long career for author Atsushi Nakajima, who tragically died of asthma complicated by severe pneumonia shortly thereafter, but whose work has continued to grow in Japanese regard ever since. This collection marks the first time these works have been translated into English.

Born in 1907, Nakahara Chuya was one of the most gifted and colourful of Japan's early modern poets. A bohemian romantic, his death at the early age of thirty, coupled with the delicacy of his imagery, have led to him being compared to the greatest of French symbolist poets. Since the Second World War Nakahara's stature has risen, and his poetry is now ranked among the finest Japanese verse of the 20th century. Influenced by both Symbolism and Dada, he created lyrics renowned for their songlike eloquence, their personal imagery and their poignant charm. This selection of poems from throughout Nakahara's creative life includes collected and uncollected work and draws on recent scholarship to give a full account of this extraordinary figure.