She was the type to stare herself in the mirror and see someone else stare back. Someone who was free and light, being able to spread her wings like an unbound angel. She was neither chained to Heaven nor Hell. Howbeit, no matter how far she reached into the mirror, she could never step through as her ball-and-chain presented itself in the form of a crown. She was a princess with two faces, desperately trying to have a sense of freedom outside of her royal obligations. She found it in the form of a weakness: a passion with another human being. Her love for him and ballet had kept her chin high; her crown not slipping from her pastel hair. So why, why did it suddenly become so hard when a gothic gymnastic back-flipped into her life? Why were her heartstrings being tugged on by someone of her same gender? Why was it suddenly so difficult, so strenuous to keep living in her pastel world when this mysterious girl brought such bright colours with her? TRIGGER WARNING: Mentions of sex, suicide and other mature themes will be contained within this book. Read at your own discretion.

When social services threatens to take away her younger sister, budding singer Kamree Philips must accept help from her young, attractive boss in order to keep her small family together. ***** In a kingdom filled with music and Destiny, Kamree Philips is perhaps the only individual who doesn't believe in love. She can't afford to. With a demanding job and a little sister to take care of, love is the last thing on her mind. However, when social services come to take away her younger sister, Kamree must accept help from her music producer boss, Daxton Cavenaugh, to keep her family together. Despite her notions on relationships, the more time she spends with Daxton, the more Kamree begins to question herself. Love doesn't exist...right? (Book Two of the Anonymous Series) (Can be read standalone)

The world had gone to hell long ago, taken over by the vampire race. In order to keep some sort of peace in our land, the Vampire Lords made a consecutive agreement. The rich and powerful humans could survive just as they had been, untouched by the vampires save for the occasional blood collections, or so they thought In reality, we were all under their control. Castles spread out throughout our land, one landing in each city. Each castle varied in the number of vampires residing there, but all of them carried a Lord. The Lords were the ones in charge in every city, whether we liked it or not. The vampires often roam through the city, making sure that everyone was in order and no one stepped out of line. If you stepped out of line, you died, end of story. Even if the rich were still under their control, their lives were still better than the poor. The poorest lives held a much worse fate. The men were to be put to work as slaves, whether that meant serving a specific vampire, or just building their castles, they were slaves. The women were to be pets. Pets were the lowest rank you could have. They were forced into cages that were too small to stand in with collars around their necks. They spent their lives in pet shops, just waiting for the dreadful day that they'll be bought. They were treated like animals, trained into what their master wanted, and punished if they misbehaved. Those who were lucky enough to live through that, we're to be slaughtered for their blood at age twenty-five in an act to make sure that our population would stay steady. I was born into this world. Born into this world full of blood-sucking monsters. Except, I was one of the lucky ones. Was. It all ended for me when I was 12, when I was taken away from the last bit of hope and family that I had left. Ever since then, I've lived in a cage, just rotting away, waiting, dreading for the day that some monster would make me his. This is my life. I am a pet. ~~~ Cover by: @mshacake

Alena Langley has always believed that life in another planet exists. But what she didn't expect was that an alien would visit her anytime soon. On a bright starry night while Alena was looking at the constellations, something big fell from the sky. It turned out to be a spaceship, opening in front of her, revealing a pale girl about her age, the latters skin glowing radiantly, beautifully in the dark. As Alena gazed into the gorgeous girls eyes that reflected the sun with its orange color, she knew in her heart that life would never be the same again.

This modern take on Disney princesses gives you a look at what their lives would look like today. Anna Bauer is not your average seventeen year old. She is the mayor of New York city's daughter. Her life is the life of luxury and perfection. Until, her parents unexpectedly die and her sister, Elsa, locks herself in her room, unwilling to open up for anybody. Anna does not know why Elsa has done this until she embarks on an adventure that will change her life.

2019 WATTY AWARD WINNER | TO BE PUBLISHED BY 'W BY WATTPAD' IN FALL 2024 Jessie is a twenty first century kinda gal stuck in the Regency Era. Armed with a new university degree and a plane ticket to Paris, the plan was to celebrate graduation in the City of Love, kissing as many drunk French girls (or boys, she's not picky) as she can. Only, she never makes it. Mid-Atlantic, a mysterious accident sends Jessie hurtling to what should be a watery grave. Rescued from the ocean, Jessie is lucky to be alive. Only problem? The crew of the ship she's on is convinced it's a sailing vessel that just narrowly missed out on participating in the Battle of Trafalgar. Stuck in Regency-era England, Jessie is left with no choice but to enter into the services of as a maid and companion in return for what shelter her new employer can provide, and resign herself to a life of quiet servitude and forever hiding her sexuality. What she didn't count on was that her new boss would be Margaret Goodenough - the world famous authoress whose yet-to-be-completed novel was the first lesbian kiss in the history of British Literature, and a clever woman. Clever enough to know her new servant has a secret. Now Jessie is caught. Margaret's own perception of her place in society is transforming, the text of her novel is slowly changing, and Margaret herself is finally unafraid to embrace her own Sapphic desires. Margaret - and her main characters - are turning into irresistibly headstrong and modern women. Jessie must tread the tenuous line between finding her own happiness in a world where she is alone, and accidentally changing the course of history. Should Jessie suppress the manuscript, or is her duty to the woman she's learning to love? What is a twenty first century gal to do? * Cover Photo: Jenn LeBlanc & Getty Images Original Cover by: @RodneyVSmith

I am ashamed to say that these are the daily conversations that i have in my head.