Balarama's visit to Vrindavan, a couple of decades after Krishna and Balarama's departure, opens up a floodgate of emotions, forcing their family to finally confront those rushed goodbyes and unfinished conversations from a time long lost. Note: This work does not make use of GenAI tools in any shape or form on account of my strong belief that the use of such tools is a sacrilegious betrayal to human nature itself. Hence, if you are looking for such content, please feel free to not interact with my work. Thanks! :)

The Beauty and the Beast. Not that one can tell which one of them is which. The half-lion form surely surprises Chenchita but the unsaid attachment she has to him troubles her. The far she wishes to go, the closer she seems to getting. "He is Sriman Narayana." They all say. How is a forest girl supposed to react to the understanding that somehow she has an attachment to someone who isn't even a man? He may be a beloved deity. Is it even normal for a human to want a deity? Would the tribe accept this?

Hari Ananta Hari Katha Ananta In the magnanimous ocean of the stories of Sriman Narayana, this is a small effort to bring short imaginary glimpses of him. The idea is show glimpses of the eternal bliss that is Madhava. His stories just as sweet as his name.

Ramayana It's not just a word but a world of it's own. War, pain, bloodshed, betrayal, wait of years, revenge, ego, dharma, agony and what not. Ramayan is always associated with these things. But ramayan is a bit more than that. It's base is LOVE But love doesn't grow in one day. It's a bud that takes years to bloom. We know about the flowers but not about the buds. Let's peep into the buds of Ramayan. Raghili is a combination of two words. Raghav and Maithili. Raghav are the descendants of raghu (the four princes of ayodhya) Maithili are the princess of Mithila. Raghili is the union of these souls, the budding of immature buds into graceful blooming flowers. Raghili is the journey of love. This is purely a work of fiction and not meant to hurt anyone's religious sentiments. I will take creative liberty. Hope you like my maiden work. 🏆 1st Runner up at The Ramayana Awards 🏆 2nd Runner up at The Self Made Awards 🏆 2nd Runner up at The Debonair Accord 🏆 2nd Runner up at The Jaya Awards 🏆Best Ramayana Plot at The Indian Mythology Awards 🏆2nd Runner Up at The MythoMagical Awards 🏆1st runner up at the Morpankh Awards 2.0

Nārāyana. The Lord of Sustenance. To sustain his universe, he has always done everything one could ever imagine. From incarnating as a complete wild boar, to living away from the love of his life to vanquish evil, Lakshmīkānta has always done everything to establish Dharma every time Adharma threatens to overpower it. Ananta. He's endless. He will remain one of the few constants even as the universe comes to an end. Hari's kathā is just as everlasting as him, evergreen in both emotion and meaning. As perpetual as him are his stories, never coming to an end, never ceasing to enrapture those who attempt to understand these tales brimming with a charm nothing else has. This is an attempt to encapsulate some moments from the stories of Vāsudeva in shorts that may succeed in giving the tiniest glimpse of Vaikunthanātha. This is my attempt at writing about Rāmachandra, whom I love and revere beyond what my words can explain. This is my humble attempt at bringing to life some of the moments from the evergreen stories of Mahāvishnu. ××× [The chapters showcase these undoubtedly divine characters with a touch of humanization, and while I will try my level best not to get too carried away with it, moving too far away from the original plot, some people might not be willing to see their deities humanized. In that case, I'll request you to skip this book. Thank you!] Cover credit: @Mochis4lifeq52627 <333

The eternal love story between the cowherd and his lady. Radha and Krishna both were aeons ahead of their time, and it is but natural that their love also be extraordinary.