a shit ton of byler shit cuz I love it. Most found on the internet so if you want credit dm me and I'll give you it. not taking credit for shit I didnt write.

🌹; 𝘛𝘩𝘦 𝘳𝘰𝘰𝘮 𝘸𝘢𝘴 𝘴𝘪𝘭𝘦𝘯𝘵. 𝘔𝘪𝘬𝘦 𝘢𝘯𝘥 𝘞𝘪𝘭𝘭'𝘴 𝘣𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘰𝘯𝘭𝘺 𝘵𝘩𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘤𝘢𝘯 𝘣𝘦 𝘩𝘦𝘢𝘳𝘥. 𝘛𝘩𝘦 𝘵𝘢𝘭𝘭𝘦𝘳 𝘣𝘰𝘺 𝘥𝘰𝘪𝘯𝘨 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘩𝘪𝘴 𝘴𝘵𝘳𝘦𝘯𝘨𝘵𝘩 𝘵𝘰 𝘴𝘵𝘰𝘱 𝘩𝘪𝘴 𝘧𝘳𝘪𝘦𝘯𝘥 𝘧𝘳𝘰𝘮 𝘴𝘩𝘶𝘥𝘥𝘦𝘳𝘪𝘯𝘨 𝘢𝘵 𝘵𝘩𝘦 𝘬𝘯𝘰𝘸𝘯 𝘧𝘦𝘢𝘳 𝘵𝘩𝘢𝘵 𝘩𝘢𝘥 𝘞𝘪𝘭𝘭 𝘱𝘦𝘵𝘳𝘪𝘧𝘪𝘦𝘥. 𝘔𝘪𝘬𝘦 𝘬𝘯𝘦𝘸 𝘸𝘩𝘢𝘵 𝘵𝘰 𝘴𝘢𝘺 𝘯𝘰𝘸. "𝘠𝘰𝘶 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳?" 𝘔𝘪𝘬𝘦'𝘴 𝘨𝘦𝘯𝘵𝘭𝘦 𝘷𝘰𝘪𝘤𝘦 𝘴𝘰𝘶𝘯𝘥𝘦𝘥, 𝘣𝘰𝘶𝘯𝘤𝘪𝘯𝘨 𝘢𝘵 𝘵𝘩𝘦 𝘤𝘳𝘦𝘷𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘤𝘰𝘳𝘯𝘦𝘳𝘴 𝘰𝘧 𝘊𝘢𝘴𝘵𝘭𝘦 𝘉𝘺𝘦𝘳𝘴. 𝘞𝘪𝘭𝘭 𝘸𝘪𝘯𝘤𝘦𝘥 𝘢𝘵 𝘵𝘩𝘦 𝘷𝘰𝘪𝘤𝘦. "𝘙-𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳 𝘸-𝘸𝘩𝘢𝘵?" 𝘔𝘪𝘬𝘦 𝘴𝘮𝘪𝘭𝘦𝘥 𝘢𝘴 𝘩𝘦 𝘩𝘦𝘢𝘳𝘥 𝘞𝘪𝘭𝘭'𝘴 𝘷𝘰𝘪𝘤𝘦. "𝘛𝘩𝘦 𝘥𝘢𝘺 𝘸𝘩𝘦𝘯 𝘸𝘦 𝘴𝘢𝘪𝘥 𝘸𝘦'𝘥 𝘨𝘰 𝘤𝘳𝘢𝘻𝘺 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳." ;🌹 ⚠️!!𝙍𝙚𝙖𝙙 𝙬𝙞𝙩𝙝 𝙘𝙖𝙪𝙩𝙞𝙤𝙣, 𝙩𝙝𝙚 𝙨𝙩𝙤𝙧𝙮 𝙢𝙞𝙜𝙝𝙩 𝙘𝙤𝙣𝙩𝙖𝙞𝙣 [ 𝙩𝙧𝙞𝙜𝙜𝙚𝙧𝙞𝙣𝙜 ] 𝙢𝙖𝙩𝙩𝙚𝙧𝙨!!⚠️ ⊰ © -𝐚𝐞𝐮𝐧𝐢𝐚 𝟐𝟎𝟏𝟗 ⊱

Will is gay but scared to tell anyone because most people are homophobic. So how will Mike react when Will tells him he's gay. How will everyone else react? I guess we'll see.

"mike, it's just a stupid crush." • • • • • • Based off of season two of Stranger things. I felt there was a lot of chemistry between the two. • • • • highest rating: number one in Byeler

Mike looked down at the shaking boy and wrapped his arms tightly around him, burying his freckled face in the smaller boy's soft brown hair whilst whispering into his ear: "I'll surround you and keep you safe... everyday. Everyday. I know you never like to be alone, and now you don't have to." And for the first time in a long time, Will felt whole.

Tw: Self Harm, Blood, Panic attacks There are warnings before the chapters and scenes. Will and Mike go on a mission to find and save Eleven, but how many secrets can be kept between the two when they're together all the time? Rankings: #13 on comingout #20 gayshipsareyayships #17 gayshipsareyayships #5 wheeler #4 wheeler

After the Snowball, Will doesn't know why he feels butterflies when he sees him until Mike finds out by mistake... ~~~~~~ -Follows the Snowball plot of S2 but differently -Follows the S3 plot except Joyce isn't around and some things are added or taken away. -I don't take any ownership of the characters or the plots that are used.