In the darkest corners of lower Manhattan, a battle like no other rages. The city is home to a hidden group of survivors of the nanite plague, and a brother and sister born to defend their race. With a touch that can destroy nanites, Lanni, sister of Alex, is their last chance. Can she save her brother? Can she protect mankind's only hope? Or will she be responsible for the destruction of the last humans on earth? It's going to be another long day....... Killing Tiffany Hudson was just the beginning, but there is so much more to the story surrounding Diane and Crane's meeting in post-apocalyptic Manhattan. Children of the Plague tells the story of the survivors in the city, including Diane and some new characters you'll want to meet.

When enigmatic freshman Amanda Valentino arrived at Endeavor High, she chose three people - Callie, Hal, and Nia - to guide her through the choppy waters of her new school. Except she didn't tell them about each other. When Amanda leaves, the three must reluctantly work together to figure out why. But once they start piecing together the cryptic clues that Amanda herself is leaving for them, they realize that everything they thought they knew about her is false. The more they dig, the mystery of where - and who - Amanda is deepens.

Often when I am asked about my new novel, ‘The Headmaster’s Wager’, I am asked about my memories of my late grandfather. This does not surprise me. After all, I have written a book in which the protagonist, Percival Chen, shares many characteristics with my grandfather. Percival is the headmaster of an English school in wartime Vietnam, as was my grandfather. Percival lives most of his adult life in Vietnam but is ethnically Chinese, and this is crucial to his sense of identity. In addition to being a successful educator and entrepreneur, he is a gambler, drinker, and womanizer. All of these qualities in Percival are inspired by my grandfather. I choose that word carefully – inspired. The book is a work of fiction, and is not ‘based upon’ my grandfather’s life. It does not memorialize him or recount his actions or memories. Instead, it picks up on a thread of his life, and an era he experienced.