Obsessive Desires Series
estradagrey
3 stories
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Her Rebound | 18+ by estradagrey
Her Rebound | 18+
estradagrey
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    Parts 47
"I hate you," she whispered softly, as if the words were a secret meant more for her than for me. "I know, baby." A subtle smile played on my lips as I spoke, and I gently buried my head in the warmth of her neck. "And it better stay that way." β™‘ He met his match. A person unwavering to his dirty antics merely because of his popularity and the constant fulfillment of his desires. Perhaps that's what fueled his resentment toward her. She refused to be one of his "fans". She fought back, talked back, and boldly rebuked him. She provoked him, opposed him, leaving an indelible mark on his ego. He loathed her for it. Why couldn't she play the submissive pawn or step aside? In turn, she despised his inflated ego and the way he believed the world revolved around him. Their rivalry extended beyond mere dislike, permeating through academics, sports, and the rich tapestry of cultural endeavors. Within the halls of GreenWood University, it was common knowledge that Lana Angelica Smithson and Nicolas Kai Harper harboured a profound and unmistakable animosity towards each other. . . . mature content ⚠️ (details in the first chapter) . . . You do not need to read the first book (HIS OBSESSION) to understand this one. It's a standalone. . . .
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His Obsession | 18+ by estradagrey
His Obsession | 18+
estradagrey
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    Parts 52
"𝑺-π’”π’π’π’˜," 𝒉𝒆 π’˜π’‰π’Šπ’Žπ’‘π’†π’“π’†π’…, π’‰π’Šπ’” π’—π’π’Šπ’„π’† π’ƒπ’“π’†π’‚π’Œπ’Šπ’π’ˆ 𝒖𝒑 𝒂𝒏𝒅 π’‘π’Šπ’•π’„π’‰π’Šπ’π’ˆ π’‰π’Šπ’ˆπ’‰π’†π’“. 𝑰 π’ˆπ’ 𝒇𝒂𝒔𝒕 π’Šπ’π’”π’•π’†π’‚π’…, π’‰π’†π’‚π’“π’Šπ’π’ˆ π’‰π’Šπ’Ž π’˜π’Šπ’π’„π’† π’“π’†π’‘π’†π’‚π’•π’†π’…π’π’š 𝒂𝒏𝒅 π’•π’“π’š 𝒕𝒐 π’”π’‰π’Šπ’‡π’• π’‚π’˜π’‚π’š π’‡π’“π’π’Ž π’Žπ’š 𝒉𝒂𝒏𝒅𝒔 𝒂𝒏𝒅 π’Žπ’π’–π’•π’‰. π‘―π’Šπ’” π’‚π’•π’•π’†π’Žπ’‘π’•π’” π’ˆπ’ π’Šπ’ π’—π’‚π’Šπ’ 𝒃𝒆𝒄𝒂𝒖𝒔𝒆 𝒉𝒆 π’π’Šπ’Œπ’†π’” π’Šπ’•, 𝒉𝒆 π’˜π’‚π’π’•π’” π’Žπ’† 𝒕𝒐 π’”π’π’π’˜ π’…π’π’˜π’, π’šπ’†π’• 𝒉𝒆 π’π’Šπ’Œπ’†π’” π’ƒπ’†π’Šπ’π’ˆ π’†π’…π’ˆπ’†π’… π’–π’π’•π’Šπ’ 𝒉𝒆 𝒄𝒂𝒏'𝒕 π’ˆπ’†π’• 𝒂 π’˜π’π’“π’… 𝒐𝒖𝒕 𝒐𝒇 π’‰π’Šπ’” π’Žπ’π’–π’•π’‰. "π‘©π’‚π’ƒπ’š, 𝒑-𝒑𝒍𝒆𝒂𝒔𝒆.." π’‰π’Šπ’” π’Žπ’π’–π’•π’‰ 𝒐𝒑𝒆𝒏𝒔 𝒂𝒏𝒅 𝒉𝒆 π’…π’“π’‚π’˜π’π’” π’Žπ’π’‚π’π’” 𝒂𝒔 𝒉𝒆 π’‘π’Šπ’π’„π’‰π’†π’… π’‰π’Šπ’” π’†π’šπ’†π’” 𝒄𝒍𝒐𝒔𝒆𝒅 𝒂𝒏𝒅 π’‰π’Šπ’” π’Žπ’π’–π’•π’‰ π’Žπ’‚π’Œπ’†π’” 𝒂𝒏 '𝑢'. "𝒀𝒐𝒖 𝒄𝒂𝒏 π’•π’‚π’Œπ’† π’Šπ’•, π’π’π’π’Œ 𝒂𝒕 π’šπ’π’–" 𝑰 π’π’π’π’Œ 𝒖𝒑 𝒂𝒕 π’‰π’Šπ’Ž 𝒂𝒏𝒅 π’†π’ˆπ’ˆ π’‰π’Šπ’Ž 𝒐𝒏, π’Žπ’š π’”π’Žπ’Šπ’“π’Œ π’ˆπ’“π’π’˜π’Šπ’π’ˆ 𝒂𝒔 𝑰 π’”π’π’π’˜ π’Žπ’š π’Žπ’π’—π’†π’Žπ’†π’π’•π’”, π’‘π’‚π’–π’”π’Šπ’π’ˆ π’‰π’Šπ’” π’ƒπ’π’Šπ’”π’” π’Žπ’Šπ’…π’˜π’‚π’š. . . .
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