This collection features a brilliant new translation of the Japanese master's stories, from the source for the movie Rashōmon to his later, more autobiographical writings. Ryūnosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashōmon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Ancient China is illustriously brought to life in these folk tales, legends, and stories of historical figures that routinely rank alongside such Japanese literary classics as "Rashomon" by Ryunosuke Akutagawa and Kokoro by Natsume Soseki. When they first appeared in Japanese periodicals in 1942 and 1943, they sparked a potentially rich and long career for author Atsushi Nakajima, who tragically died of asthma complicated by severe pneumonia shortly thereafter, but whose work has continued to grow in Japanese regard ever since. This collection marks the first time these works have been translated into English.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

Sherlock Holmes is a fictional consulting detective in London ~1880-1914 created by Scottish author and physician Sir Arthur Conan Doyle. Holmes, master of disguise, reasoned logically to deduce clients' background from their first appearance. He used fingerprints, chemical analysis, and forensic science. The majority of the stories were first published in The Strand Magazine accumulated to four novels and fifty-six short stories set 1880-1914. All but four stories are narrated by Holmes's friend and biographer, Dr John H. Watson; two are narrated by Holmes himself (The Blanched Soldier and The Lion's Mane) and two others are written in the third person (The Mazarin Stone and His Last Bow). In two stories (The Musgrave Ritual and The Gloria Scott), Holmes tells Watson the main story from his memories, while Watson becomes the narrator of the frame story. The first and fourth novels, A Study in Scarlet and The Valley of Fear, each include long omniscient narration of events unknown to Holmes or Watson

Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories-bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

'Schoolgirl' is the novella that first established Dazai as a member of Japan's literary elite. Essentially the start of Dazai's career, the 1933 work gained notoriety for its ironic and inventive use of language, and how it illuminated the prevalent social structures of a lost time.

The post-war period in Japan was one of immense social change as Japanese society adjusted to the shock of defeat and to the occupation of Japan by American forces and their allies. Osamu Dazai's The Setting Sun takes this milieu as its background to tell the story of the decline of a minor aristocratic family. The story is told through the eyes of Kazuko, the unmarried daughter of a widowed aristocrat. Her search for self meaning in a society devoid of use for her forms the crux of Dazai's novel. It is a sad story, and structurally is a novel very much within the confines of the Japanese take on the novel in a way reminiscent of authors such as Nobel Prize winner Yasunari Kawabata - the social interactions are peripheral and understated, nuances must be drawn, and for readers more used to Western novelistic forms this comes across as being rather wishy-washy. Kazuko's mother falls ill, and due to their financial circumstances they are forced to take a cottage in the countryside. Her brother, who became addicted to opium during the war is missing. When he returns, Kazuko attempts to form a liaison with the novelist Uehara. This romantic displacement only furthers to deepen her alienation from society

六白金星 by Sakunosuke Oda