Born in 1907, Nakahara Chuya was one of the most gifted and colourful of Japan's early modern poets. A bohemian romantic, his death at the early age of thirty, coupled with the delicacy of his imagery, have led to him being compared to the greatest of French symbolist poets. Since the Second World War Nakahara's stature has risen, and his poetry is now ranked among the finest Japanese verse of the 20th century. Influenced by both Symbolism and Dada, he created lyrics renowned for their songlike eloquence, their personal imagery and their poignant charm. This selection of poems from throughout Nakahara's creative life includes collected and uncollected work and draws on recent scholarship to give a full account of this extraordinary figure.

This has most of Edgar Allan Poe's poems, or short stories. I do not own the rights to any of them, just simply sharing his work!

Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories-bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

This collection features a brilliant new translation of the Japanese master's stories, from the source for the movie Rashōmon to his later, more autobiographical writings. Ryūnosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashōmon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.