Michael Jackson and Marilyn Bennett have been arguing for eight years. Nobody remembers exactly how it started anymore. Not their coworkers. Not their friends. Not even them. What began as a mutual dislike somewhere in the mid-1980s has long since evolved into something far more ridiculous: a rivalry fueled by sarcasm, stubbornness, and an almost impressive inability to mind their own business. By 1992, everyone around them has learned to expect it. If Michael has an idea, Marilyn will find a flaw in it. If Marilyn makes a decision, Michael will have an opinion about it. Every conversation becomes a debate. Every debate becomes an argument. And somehow, despite claiming they can't stand each other, they keep finding themselves in the same rooms, the same meetings, and the same corners of each other's lives. The problem is, hatred is easy. It's familiar. It's safe. What's much harder to explain is why the person who knows exactly how to get under your skin is also the first person you want to tell things to. Why their absence feels strangely noticeable. Or why, after years of rolling your eyes at someone, you suddenly start seeing them differently. Because somewhere between the rehearsals, late nights, sharp remarks, and endless disagreements, the lines begin to blur. Arguments become conversations. Conversations become understanding. And the person they've spent years pushing away slowly becomes the one they can't imagine losing. Unfortunately, admitting that would require Michael and Marilyn to do something neither of them has ever been particularly good at: Being wrong. Out of Line is a slow-burn enemies-to-lovers story set during Michael Jackson's Dangerous era, following two stubborn people as they navigate rivalry, reluctant respect, unexpected friendship, and the terrifying realization that the person they've been arguing with all along may be the person they were always meant to find.

Tiffany Carter never expected her twenty-fifth birthday to be anything more than cake, laughter, and another year older. But after making a single wish and blowing out a set of mysterious birthday candles, she wakes up in a world that shouldn't exist.

౨ৎ ─────── ⋆⋅☆⋅⋆ ─────── ౨ৎ Aria Vale had one rule. Never let Hollywood see you cry. It worked for a while. The magazines called her the "Ice Queen," men called her difficult, and everyone who didn't know her decided she was a bitch before she even opened her mouth. Then came Michael Jackson. Not in person. Not at first. Just his name on a tour proposal, his face on billboards, and one line on a fax that pissed her off far more than it should have: "Mr. Jackson has personally approved Miss Vale for the European leg." So Aria says yes. Not because she likes him. And definitely not because she forgives him. But if Michael Jackson thinks he can turn her into a footnote in his comeback story, he's about to learn very quickly that Aria Vale was never made to stand behind anyone. ౨ৎ ─────── ⋆⋅☆⋅⋆ ─────── ౨ৎ 𝟏𝟗𝟗𝟐 ⋆｡‧˚ʚ♡ɞ˚‧｡⋆ 𝐃𝐚𝐧𝐠𝐞𝐫𝐨𝐮𝐬 𝐄𝐫𝐚

'𝐇𝐄𝐀𝐕𝐄𝐍 𝐂𝐀𝐍 𝐖𝐀𝐈𝐓' (micheal jackson x fem! reader) Growing up, Y/n always knew what she wanted to be, who she wanted to be. She wanted to be the pretty girl on the big tv screen who everyone loved and adored. Her parents saw her potential, they saw how much she devoted her time to practicing and singing so they finally found her a gig. And after that, her story only goes up. 🌷started: 3.15.26 🤍 finished: 6.23.26

A world of fame, control, and carefully crafted perfection hides two minds quietly unraveling behind the spotlight. Celeste Saint Clair is a supermodel born into beauty and shaped by pressure, where every smile is performance and every success comes at a cost she never agreed to pay. Trapped between an image-obsessed industry and a controlling family, she survives a life that looks golden from the outside but feels suffocating within. On the other side of fame, Michael Jackson lives inside a world of brilliance and isolation, where music is both escape and burden. Haunted by recurring dreams of a woman he has never met, his reality begins to blur as creativity, memory, and obsession slowly intertwine. When their worlds begin to inch closer through the machinery of fame : magazines, events, and the entertainment industry, something impossible starts to take shape. Recognition before meeting. Connection before touch. Memory before reality. In a world where everyone is seen, but few are truly known, the line between destiny and illusion begins to disappear.

John Shelby's daughter, Charlotte May is offered up to the Changretta's through marriage to end the vendetta. She is processing her fathers senseless death. Can she understand her husbands perspective and fall in love with him?

𝐌𝐢𝐜𝐡𝐚𝐞𝐥 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 𝐱 𝐎𝐂!𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫 Thriller has just been released, and Michael is feeling a wave of immense pressure, jumping from one music video project to the next. But when his choreographer suddenly leaves the Thriller project, Michael desperately needs a replacement. That's when La Toya suggests her friend Juliet, a talented dancer and choreographer Michael already knows from childhood. Trusting her with the biggest project of his career should be risky... but somehow, working closely with her feels natural. Maybe a little too natural.

𝐈𝐬 𝐢𝐭 𝐥𝐨𝐯𝐞 𝐚𝐭 𝐟𝐢𝐫𝐬𝐭 𝐬𝐢𝐠𝐡𝐭? 𝐍𝐨. 𝐃𝐨 𝐭𝐡𝐞𝐲 𝐝𝐫𝐞𝐚𝐦 𝐨𝐟 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫? 𝐍𝐨𝐭 𝐭𝐨 𝐛𝐞𝐠𝐢𝐧 𝐰𝐢𝐭𝐡. 𝐃𝐨 𝐭𝐡𝐞𝐲 𝐝𝐢𝐬𝐥𝐢𝐤𝐞 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫? 𝐍𝐨. 𝐂𝐚𝐧 𝐭𝐡𝐞𝐲 𝐛𝐞 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫? 𝐘𝐞𝐬. 𝐇𝐚𝐩𝐩𝐢𝐥𝐲? 𝐈 𝐠𝐮𝐞𝐬𝐬 𝐭𝐡𝐚𝐭'𝐬 𝐭𝐡𝐞 𝐪𝐮𝐞𝐬𝐭𝐢𝐨𝐧 𝐧𝐨𝐭 𝐞𝐯𝐞𝐧 𝐋𝐨𝐮𝐢𝐬𝐞 𝐒𝐡𝐞𝐥𝐛𝐲 𝐡𝐚𝐬 𝐭𝐡𝐞 𝐚𝐧𝐬𝐰𝐞𝐫 𝐭𝐨𝐨. 𝐒𝐡𝐞 𝐟𝐢𝐧𝐝𝐬 𝐡𝐞𝐫𝐬𝐞𝐥𝐟 𝐡𝐚𝐯𝐢𝐧𝐠 𝐰𝐞𝐢𝐫𝐝 𝐢𝐧𝐭𝐞𝐫𝐚𝐜𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝐈𝐭𝐚𝐥𝐢𝐚𝐧 𝐦𝐚𝐟𝐢𝐚 𝐦𝐚𝐧, 𝐋𝐮𝐜𝐚 𝐂𝐡𝐚𝐧𝐠𝐫𝐞𝐭𝐭𝐚. 𝐓𝐡𝐞 𝐭𝐰𝐨 𝐚𝐫𝐞 𝐜𝐨𝐦𝐩𝐞𝐥𝐥𝐞𝐝 𝐭𝐨 𝐨𝐧𝐞 𝐚𝐧𝐨𝐭𝐡𝐞𝐫, 𝐡𝐢𝐦 𝐦𝐨𝐫𝐞 𝐬𝐨 𝐚𝐬 𝐡𝐞 𝐰𝐢𝐬𝐡𝐞𝐬 𝐭𝐨 𝐬𝐞𝐞𝐤 𝐡𝐞𝐫 𝐨𝐮𝐭. 𝐇𝐞 𝐭𝐚𝐤𝐞𝐬 𝐚𝐝𝐯𝐚𝐧𝐭𝐚𝐠𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐟𝐚𝐜𝐭 𝐭𝐡𝐚𝐭 𝐡𝐞𝐫 𝐟𝐚𝐦𝐢𝐥𝐲 𝐨𝐰𝐞𝐬 𝐡𝐢𝐦 𝐚𝐧𝐝 𝐭𝐡𝐞𝐫𝐞𝐟𝐨𝐫𝐞 𝐝𝐞𝐜𝐢𝐝𝐞𝐬 𝐭𝐨 𝐦𝐚𝐤𝐞 𝐡𝐢𝐬 𝐩𝐚𝐬𝐭, 𝐲𝐞𝐭 𝐧𝐨𝐭 𝐮𝐧𝐟𝐨𝐫𝐠𝐞𝐭𝐭𝐚𝐛𝐥𝐞, 𝐚𝐜𝐪𝐮𝐚𝐢𝐧𝐭𝐚𝐧𝐜𝐞 (𝐓𝐨𝐦𝐦𝐲 𝐒𝐡𝐞𝐥𝐛𝐲'𝐬 𝐥𝐢𝐭𝐭𝐥𝐞 𝐬𝐢𝐬𝐭𝐞𝐫) 𝐩𝐚𝐫𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐝𝐞𝐚𝐥.

"Don't play a game with a girl who can play better. " Lola Gray, the daughter of the gangster Polly Gray. Being in the Shelby family was hard enough with all the men around. No man that wasn't in the family would go nowhere near out of fear. Until someone did, someone got close Just so happens that he was a Peaky Blinder himself But even that had it's difficulties Season 1-2 of Peaky Blinders

"Who are we up against this time?" Lola Gray, the daughter of the gangster Polly Gray, Wife of Isiah Jesus, Sister to Michael Gray and now mother to Ellie Jesus-Gray. Being a mother has its ups and downs, but when you're a Shelby nothing stays peaceful for long. Season 3-4 of Peaky Blinders