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π‡πŽπ“π„π‹ 𝐖𝐀𝐍𝐆𝐒𝐇𝐔 ΰΉ‘ xiao [βœ“] by weinassance
π‡πŽπ“π„π‹ 𝐖𝐀𝐍𝐆𝐒𝐇𝐔 ΰΉ‘ xiao [βœ“]
weinassance
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❝𝔏𝔬𝔳𝔒 π” π”žπ”« π”Ÿπ”’ π”ͺ𝔒𝔑𝔦𝔠𝔦𝔫𝔒, 𝔬𝔯 𝔦𝔱 π” π”žπ”« π”Ÿπ”’ 𝔭𝔬𝔦𝔰𝔬𝔫. ℑ𝔱 𝔦𝔰 𝔴π”₯π”žπ”± 𝔦𝔱 𝔦𝔰.❞ βπ–„π–”π–š π–†π–—π–—π–”π–Œπ–†π–“π–™, π–‹π–”π–”π–‘π–Žπ–˜π–, π–˜π–Šπ–‘π–‹ π–•π–Žπ–™π–žπ–Žπ–“π–Œ π–π–šπ–’π–†π–“. π•Ήπ–”π–œ 𝖙𝖍𝖆𝖙 π–žπ–”π–š'π–›π–Š π–œπ–†π–‘π–π–Šπ–‰ π–Žπ–“π–™π–” π–™π–π–Š π–•π–‘π–†π–ˆπ–Š 𝖔𝖋 π–žπ–”π–šπ–— π–•π–šπ–“π–Žπ–˜π–π–’π–Šπ–“π–™, π–™π–†π–π–Š π–—π–Šπ–˜π–•π–”π–“π–˜π–Žπ–‡π–Žπ–‘π–Žπ–™π–ž 𝖋𝖔𝖗 π–žπ–”π–šπ–— π–˜π–Žπ–“π–˜.❞ βπ”šπ”₯𝔒𝔫 π”ž 𝔣𝔩𝔬𝔴𝔒𝔯 𝔴𝔦𝔱π”₯𝔒𝔯𝔰 π”žπ”΄π”žπ”Ά, 𝔧𝔲𝔰𝔱 𝔩𝔦𝔨𝔒 𝔦𝔱 π”‘π”―π”’π”žπ”ͺ𝔰 𝔬𝔣 𝔫𝔒𝔴 π”Ÿπ”©π”¬π”°π”°π”¬π”ͺ, 𝔢𝔬𝔲'𝔩𝔩 𝔩𝔦𝔳𝔒, π”ͺ𝔒𝔒𝔱, π”žπ”«π”‘ 𝔩𝔬𝔳𝔒 π”žπ”€π”žπ”¦π”«.❞ Tied within the depts of Wangshu Inn that was later called Hotel Wangshu, Xiao has witnessed occurrences in thousands of years. Every war that the world has faced, he witnessed. He watched as Liyue changed Archon every Archon just like the other more nation. The new modern watches. Being an adepti has been tied unto him, not just by the God of Contracts but also a curse tied within the realms of his sin. There is only one answer to his suffering, and that is the mortal that he waited for thousands of years. [ Xiao x Fem! Reader ] Story Inspired By: Hotel Del Luna Covers & Page Breaks Edited by: me via PSD Disclaimer: I do not own Genshin Impact and Genshin Impact Characters. They all belong to Mihoyo. The story is purely fictional and every similar occurrence are coincidental.
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The Setting Sun by Osamu Dazai by mathsskov
The Setting Sun by Osamu Dazai
mathsskov
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The post-war period in Japan was one of immense social change as Japanese society adjusted to the shock of defeat and to the occupation of Japan by American forces and their allies. Osamu Dazai's The Setting Sun takes this milieu as its background to tell the story of the decline of a minor aristocratic family. The story is told through the eyes of Kazuko, the unmarried daughter of a widowed aristocrat. Her search for self meaning in a society devoid of use for her forms the crux of Dazai's novel. It is a sad story, and structurally is a novel very much within the confines of the Japanese take on the novel in a way reminiscent of authors such as Nobel Prize winner Yasunari Kawabata - the social interactions are peripheral and understated, nuances must be drawn, and for readers more used to Western novelistic forms this comes across as being rather wishy-washy. Kazuko's mother falls ill, and due to their financial circumstances they are forced to take a cottage in the countryside. Her brother, who became addicted to opium during the war is missing. When he returns, Kazuko attempts to form a liaison with the novelist Uehara. This romantic displacement only furthers to deepen her alienation from society