The universe was music before it was anything tangible. Time was measured without signature, and worlds formed from the power of boundless melody, creation in song. Within this crucible of worlds lies Tellure Grand, a land wide, young, and full with possibility. Here, power is being found in the notes of destruction. Warsingers. The world folds where Warsingers make music, each striking sword and flying arrow is accompanied by the strum of a harp or the lilting of an aria. Minds are molded, politics are changed, and ideologies bend in the wake of such music. The land is shaped by those who wield the ebb and flow of these powerful sonatas, and so power changes hands, and history is made. Now the era turns anew for Tellure Grand and her fledgling civilizations. Strains of glory hum against the strings; where baritones of tribulations rise. In the distance a bell tolls, a powerful noise that resonates with annihilation, striking with insidious fury. And the gods? Gods do not sing; they are the song.

This is the story of a girl that is treated as a beast, man, woman, little girl, and back to beast. She is the Princess of the Grossvater/Slenderman folk that her father is King of. She has always looked up to her father until he had died when she was young. She went searching for the famous Hellboy that she was told stories about. So, this little princess needs help in controlling herself and only Hellboy can help her when she is most powerful. Will she kill all the new people she learns to love or destroy them all, including Hellboy?