Angelina Levine was a Young Woman Just trying to pursue her dream of the writing arts. Little did she know, innocently trying to extend her career may just be the death of her when she meets the man who just may be, Satan reincarnate. THIS DOESNT GLORIFY ABUSE GUYS. THIS ISNT ANYTHING LIKE HAUNTING ADELINE WHERE SHE HAS AN SA KINK. ‼️ This is NOT directed towards any real person, and any affiliation with a real being/brand is completely fictional. Remember, it's a book and as a person I wouldn't ever romanticize or support any of the gross stuff written. If it did romanticize such, then it would be painfully obvious and not get into such depth as to how the characters feel. Ie: Rage, confusion, power hungry, and then they grow and try to change. Thats how a book works: there has to be a plot! Thank you! Completely satire btw i think mln is weird and this book is making fun of it on da lowkey because Taylor was serious when she wrote it ✌️✌️✌️

After the tragic murder of her parents, Lillian Claremont and her brother Nick move in with their cousin Ashton who lives in New York City. They're looking for a fresh start. A new life. With little knowledge of the city, the Claremont siblings pay heavy reliance on their cousin to show them the ropes. This leads Lillian's life to change drastically as she is introduced to the dangerous world of street racing, which is a major hotspot for people like the infamous Tom Kaulitz. A well respected Mafia leader who rules the underworld. But with that respect, also comes an immense amount of fear that the civilians of New York have for him. He is cruel and heartless, drives a sexy car, and always has a girl by his side. The last kind of man Lillian would ever dream of involving herself with. However, Tom will do anything he can to make her his. In which secrets will be uncovered, along with truths to her past she so desperately wants to keep hidden under the surface. DISCLAIMER: Despite being inspired by My Living Nightmare, this book does not contain any sexual or physical assault, nor does it condone and romanticise it.