THE YEAR is 1968 and the Swinging Sixties are still swinging - though not in Ireland. But wait! An old woman dies in a northern Irish town and her wake becomes a rendezvous for lesbians, bisexuals and political revolutionaries. And in there among them all is Jeremiah Coffey, lonely Jeremiah, an innocent abroad in his own country and hopelessly in love with the beautiful Aisling who swings both ways. And all this in holy Ireland. Hold on to your hats!

In Thriller Suite -- appearing serially for the first time on Wattpad -- Margaret Atwood has gathered these new poems inspired by her long history as a reader of strange tales, from 19th century gothic classics to ghost stories to crime fiction and thrillers. Poems that cross thresholds...

"Alice's Adventures in Wonderland" tells of a girl named Alice who falls down a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures. The tale plays with logic, giving the story lasting popularity with adults as well as children.

'I know enough of the world, enough of men, To know that what’s beyond’s beyond our ken.' - Faust Goethe. Gee is a short story that I sincerely hope you enjoy. Highly appreciate feedback! :)

"The Importance of Being Earnest, A Trivial Comedy for Serious People" is a farcical comedy in which the protagonists maintain fictitious personæ in order to escape burdensome social obligations.

"The Pit and the Pendulum" is a short story written by Edgar Allan Poe and first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, though Poe skews historical facts. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the reader because of its heavy focus on the senses, such as sound, emphasizing its reality, unlike many of Poe's stories which are aided by the supernatural. The traditional elements established in popular horror tales at the time are followed, but critical reception has been mixed. Cover by the lovely @KatrinHollister