"Kapali: The return of Mahavir" is a fan fiction story based on Indian Time Travel Fantasy fiction daily soap "Dhruv Tara: Samai Sadi ke pareh" where Dr. Dhruv Saxena, a Neurologist from 21st century, ties bond with Tarapriya, the Rajkumari of Vallavgarh, from 17th century, who time travels through the cursed land of Navrangban to find cure to her brother, Yuvraj Mahavir's incurable disease. But their bond gets cursed due to their unnatural nature and they get seperated beyond the timeline. Vallabhgarh gets destroyed along with Navrangban, Dhruv and Tara gets trapped in 21st and 17th century respectively. Mahavir, the brother of Tara and King of Vallavgarh goes missing. Tara tries to fight the threats on the villagers in her pregnant condition but fails due to her physical bounderies. Surya Pratap Singh, the King of the enemy kingdom of Devgarh saves Tara and gives her son his name promising distance from her. After 5 years, as Dhruv comes back, Surya Pratap starts showing his true face, his lust on Tara and her son Saurya. He tries to get Dhruv out of his way in which Tara falls down the cliff and goes missing. This story explores an alternative theory of Kapali, the unseen unknown enemy of Devgarh, who sends Bijli, a lookalike of Tara, with Dhruv into the palace. As the Royal family gets confused by the wierd traits of the dancer actress Bijli, her some behaviour strikes them making them think she can be Antara. Tara's son Saurya accepts her as his mother. Pratap keeps no stone unturned and tries to murder Dhruv to get him out of his way but the later gets saved and kidnapped by Kapali in a suspicious way. The absence of Dhruv makes Saurya gravely ill. Complicating the matters more the ladies of the Royal palace gets kidnapped by Kapali. Pratap feels he's trapped in his own palace. Who is Kapali? How he's so much powerful? Who is Bijli? Is Bijli really Tara with lost memories who is being used by Kapali? Or is there something else cooking inside?

A series on the scenes I made up in my mind. These are the scenes I wish to see in the show. You all can drop ideas and suggestions and I'll try to write on them. Thank you. Currently on a break..........

DhruvTara: The twist of time, is based on the hindi television series "DhruvTara", a Time Travel fiction telecasted on Sony sab. In the story a Princess, Tarapriya, from a 17th century lost dynasty of Vallavgarh Time travels to 21st century through a "Cursed" and "Forbidden" gateway "Navrangban" to find treatment for her dying brother. The Princess who had secret passion for medicine stumbles upon a renounded Neurologist Dr. Dhruv Saxena who eventually falls for her and assists in her adventure and the duo gets married in due course. The twist of fate gets the couple separated and Dhruv and Tara gets stuck in 21st and 17th century respectively. Tarapriya, pregnant with Dhruv's child, gets wise assistance from Surya Pratap Singh, the King of Devgarh, and Vallavgarh's "former" enemy. Tara starts living in the Devgarh masion posing as Pratap's wife "Antara" and the child became the Pince of Devgarh until Dhruv finds another Time travel gateway and reaches there causing the real faces come out and resulting in a trassle between Surya Pratap and Dhruv. The story of this fanfiction continues from where Tarapriya gets injured neutralising the fight between Dhruv and Pratap and Dhruv flees away with unconscious Tara to 21st century. He does her treatment there. Menwhile, Dhruv and Tara's 4 year old son, Saurya, gets to 21st century through the Time cave along with many members of the family. The story revolves around exposure to 21st century environment of the Devgarh family, the realisation of Pratap, some moments of Dhruv Tara and Saurya and eventually the discovery of Dhruv's lost family and ultimate reunion. Many facts in the fanfiction is different from the real series bcz of creative liberty. The readers are requested to comment and put forward their suggestions. Being not well versed in hindi many words and pronunciations might be wrong and I'll be obliged if the readers put light on the rectifications to be done through comments.