Veronika Koroleva Petrovna-Moscow's untouchable queen. The wealthiest, most powerful woman in Russia. A name that drips with arrogance, feared as much as it is revered. With a single glance, she ensnares. A presence so sharp it cuts. To her, people are nothing but pawns-disposable, forgettable, irrelevant. Trust is a currency too expensive to waste. Loneliness is not a curse; it is a necessity. No parents, no attachments, no weaknesses. Begging? Pleading? Nyet. That is beneath her. Luciana "La Reina" Monteserra-Madrid's deadliest shadow. A queen of ruin and carnage, cloaked in elegance. Cold. Calculating. Lacking even the pretense of empathy. She does not ask. She takes. What she touches, she owns. What she claims, she keeps. No one defies her. No one escapes her grasp. But Veronika? Veronika was the exception. The one thing she could never own.

Milan Roman, a fierce and determined woman on a mission, is returning to her family's powerful mafia after a three-year absence. Alongside her twin brother, she's poised to take control of the organization her mother once ruled. But her return isn't without complications-she must work alongside Cairo Lee, a woman who was a major part in Milan's life before their relationship fractured. Their past is complicated, full of unresolved tension and emotional baggage, and now Milan needs Cairo's help to solidify her position in the exclusive mafia world. As old feelings resurface and new challenges arise, Milan must navigate the dangerous balance of power, family loyalty, and rekindling a relationship with Cairo that could either save or destroy everything she's fought for.

𝐀𝐫𝐢𝐞𝐥𝐥𝐚 𝐑𝐨𝐦𝐚𝐧𝐞 is everything that she'd ever dreamed to be. Not exactly a princess like her younger self would've imagined, but, nevertheless, she had so much going for her. She was beauty and brains. As she studies in university to become a surgeon, her life remains simplistic. That is until 𝐌𝐚𝐝𝐢𝐬𝐨𝐧 shows up. Madison doesn't just peacefully enter Ariella's life after all of their years apart- she causes a 𝑠𝑡𝑜𝑟𝑚. From her dangerously scented perfume to her bored gaze, she alters Ariella's life completely. Smooth skin becomes bruised with love bites, perfect hair becomes tangled with knots, and soft whispers turn desperate. The two women fight teeth and nail to make up for lost time, but it doesn't all fall into place so easily.

When Priscilla walks into Sloane's office, she's just another patient-guarded, broken, slow to trust. Sloane, a dominant and calculating therapist, is used to control. She knows how to push, how to read people, how to get what she wants. But Priscilla is different. What begins as therapy twists into something deeper-an electric pull neither of them can ignore. Sloane tells herself it's about healing, but her control is precise, obsessive... seductive. And Priscilla, under Sloane's careful influence, begins to lose sight of where her pain ends and Sloane begins. Because Sloane isn't just hiding secrets. She's using them. And the most dangerous thing about her is how far she'll go to keep Priscilla close. [ wlw romance between a therapist and her patient. Hold on tight, this a messy-dark romance ]

Seraphina Esposito is a mafia queen.. cold, ruthless, untouchable. At twenty-five she rules an empire built on fear, wielding power like a blade and believing feelings to be nothing but weakness. Love, family, softness.. those are luxuries she's burned out of herself. Or so she thought. Then comes Elowen Morgan. Beautiful. Too emotionally intelligent. Kindhearted. Too pure for a world like hers... and yet, impossible to ignore. With honey-brown eyes that see too much and a quiet defiance behind her smile, she unsettles everything Seraphina thought she knew. Seraphina doesn't do love. But desire? Obsession? The urge to claim what should never have been hers? That, she can't seem to resist. What happens when a woman who feels nothing meets the one person she can't stop feeling?

Amara Alonso is 22 years old and is in her final year studying English literature at NYU. She's smart, kind and gentle, she always has been. But she carries a quiet sadness that most don't see. After losing her mother and sister in a tragic car accident 8 months ago, she was left with an alcoholic father who she blames for their death. She promises herself to push through her last year of college but soon falls into a cycle- skipping classes, tear-stained eyes, and an empty stomach. Emilia Zayed is a 29 year old creative writing professor. Emilia is poised, intelligent and emotionally guarded. She keeps everyone at arm's length- students, colleges, friends, and especially family. She doesn't trust people and shows no intention to. She shows no interest in anybody around her, until a soft brown eyed girl enters her lecture with a look of hurt deep in her eyes that she can't seem to stop thinking about. Emilia notices Amara's writing first. There's something about her work-so raw, so aching, so lonely. It touches something in Emilia she thought she'd buried. Never has a student's piece of writing made her feel this way. They shouldn't get close. They can't get close. But they do. And it's slow, quiet, and deeply emotional. It's Amara showing up during Emilia's office hours not just to talk about writing but about life. It's Emilia realising Amara needs more than feedback-she needs someone who sees her. And it's Amara finally finding someone who doesn't leave. The two form an unspoken bond they can't explain. It's forbidden in the eyes of everybody else. But they can't help but feel softer around each other. Will they ever act on it? Will Amara's hurt or Emilia's closed offness prevent them from ever truly opening up and giving in?

Mariah Jade Grey is 21 years old, freshly graduated, and trying to figure out what comes next. She's stylish, sarcastic, and guarded- always has been. After losing more than she ever talks about, she's learned not to get too close. Love doesn't stay. People don't stay. So she keeps herself safe: with ambition, independence, and the quiet ache of something missing. Kyra Reyes is 30 years old, the kind of woman with a camera in one hand and someone new on her arm- easy, unattached, free. Nothing ever sticks: not the girls she leaves tangled in her sheets, not the art that never quite feels finished, not the whispers about her being a player. But when it comes to Mariah, everything sticks. Every glance. Every laugh. Every moment that isn't supposed to mean anything, but somehow means everything. As their best friends build new lives and the city around them quiets down, Mariah and Kyra find themselves circling each other, drawn together by late nights, unspoken truths, and the weight of everything they won't say out loud. It's there in the way Kyra looks at her. It's there in the way Mariah never quite lets her go. And when the silence finally breaks, it changes everything. What they have isn't just friendship. But it isn't love. Not yet. Maybe not ever. Almost. But is almost ever enough?

Two girls that are the complete opposite of eachother but just can't seem to stay away from one another. Juliet baldwin the hottest and richest girl in riverside high, a private school for the richest families. She's the captain of the cheer squad and is dating the co-captain of the football team Liam, your typical high school sweethearts. little did everyone know juliet has a secret that she herself might not even know. Ellie crawford a popular girl who is intersex that got a scholarship to riverside high. She's a somewhat of a nerd but the co-captain of the football team but still could pass as the hottest after juliet. She's a player and very cocky, ellie has trouble at home, being at school is her escape yet no one knows what she goes through except for one of her best friends. Mentions of : - bullying - abuse - smut - alcohol addiction - homophobic slurs

ꜱᴏᴘʜɪᴇ ɢᴀꜱᴘᴇᴅ ᴡʜᴇɴ ᴀᴛᴀʀᴀ'ꜱ ꜰɪɴɢᴇʀ ʜᴏᴏᴋᴇᴅ ᴀʀᴏᴜɴᴅ ᴛʜᴇ ꜱᴄᴀʀꜰ, ᴘᴜʟʟɪɴɢ ʜᴇʀ ꜰᴏʀᴡᴀʀᴅ ʟɪᴋᴇ ᴛᴜɢɢɪɴɢ ᴏɴ ᴀ ʟᴇᴀꜱʜ. "ꜰɪʀꜱᴛ ʀᴜʟᴇ," ᴀᴛᴀʀᴀ ᴍᴜʀᴍᴜʀᴇᴅ, ʜᴇʀ ʟɪᴘꜱ ꜱᴏ ᴄʟᴏꜱᴇ ꜱᴏᴘʜɪᴇ ꜰᴇʟᴛ ᴛʜᴇ ꜰᴀɪɴᴛ ʙʀᴜꜱʜ ᴏꜰ ʜᴇʀ ʙʀᴇᴀᴛʜ, ᴇʏᴇꜱ ʟᴏᴄᴋɪɴɢ ʜᴇʀꜱ ɪɴ ᴘʟᴀᴄᴇ. "ʏᴏᴜ ʟᴏᴏᴋ ᴀᴛ ᴍᴇ ᴡʜᴇɴ ɪ ꜱᴘᴇᴀᴋ." ꜱᴏᴘʜɪᴇ'ꜱ ʜᴇᴀʀᴛ ʀᴀᴍᴍᴇᴅ ᴀɢᴀɪɴꜱᴛ ʜᴇʀ ʀɪʙꜱ. "ʏ-ʏᴇꜱ, ᴍᴀ'ᴀᴍ," ꜱʜᴇ ꜱᴛᴀᴍᴍᴇʀᴇᴅ. ᴀ ʜᴜᴍ ᴠɪʙʀᴀᴛᴇᴅ ꜰʀᴏᴍ ᴀᴛᴀʀᴀ'ꜱ ᴛʜʀᴏᴀᴛ, ʟᴏᴡ ᴀɴᴅ ᴘʟᴇᴀꜱᴇᴅ. ꜱʜᴇ ɴᴀʀʀᴏᴡᴇᴅ ʜᴇʀ ᴇʏᴇꜱ ꜱʟɪɢʜᴛʟʏ, ꜱᴛᴜᴅʏɪɴɢ ᴛʜᴇ ɢɪʀʟ ᴄᴀᴜɢʜᴛ ɪɴ ʜᴇʀ ɢʀᴀꜱᴘ. ᴛʜᴇʀᴇ ᴡᴀꜱ ꜱᴏᴍᴇᴛʜɪɴɢ... ꜱʜᴇ ɪɴʜᴀʟᴇᴅ, ꜱᴍᴏᴋᴇ ꜱᴘɪʟʟɪɴɢ ꜰʀᴏᴍ ʜᴇʀ ʟɪᴘꜱ ɪɴ ᴀ ʀɪʙʙᴏɴ ᴛʜᴀᴛ ʙʀᴜꜱʜᴇᴅ ᴀɢᴀɪɴꜱᴛ ꜱᴏᴘʜɪᴇ'ꜱ ᴄʜᴇᴇᴋ. ꜱᴏᴍᴇᴛʜɪɴɢ ᴀʙᴏᴜᴛ ʜᴇʀ ꜱᴍᴇʟʟᴇᴅ ꜰᴀᴍɪʟɪᴀʀ. ʜᴇʀ ꜰɪɴɢᴇʀꜱ ᴛɪɢʜᴛᴇɴᴇᴅ ʙʀɪᴇꜰʟʏ ᴏɴ ᴛʜᴇ ꜱᴄᴀʀꜰ ᴀꜱ ʜᴇʀ ʙʀᴏᴡꜱ ᴅʀᴇᴡ ᴛᴏɢᴇᴛʜᴇʀ. "ᴅᴏ ɪ ᴋɴᴏᴡ ʏᴏᴜ ꜰʀᴏᴍ ꜱᴏᴍᴇᴡʜᴇʀᴇ?" ᴀᴛᴀʀᴀ ᴀꜱᴋᴇᴅ, ʜᴇʀ ᴠᴏɪᴄᴇ ᴛɪʟᴛɪɴɢ, ᴄᴀᴜɢʜᴛ ʙᴇᴛᴡᴇᴇɴ ᴄᴜʀɪᴏꜱɪᴛʏ ᴀɴᴅ ᴄᴇʀᴛᴀɪɴᴛʏ. ɪᴄᴇ ꜰʟᴏᴏᴅᴇᴅ ꜱᴏᴘʜɪᴇ'ꜱ ᴠᴇɪɴꜱ. ɪ'ᴍ ᴅᴇᴀᴅ. ꜰᴜᴄᴋ.