Madelyn Cline has always lived under the spotlight, Hollywood's golden girl with the perfect image. She never expected her world to collide with Y/n - the rising soccer star everyone can't stop talking about, loud, reckless, and impossible to ignore. They met once before, in a way neither of them has forgotten. Now, fate twists cruelly: their parents are getting married, and Y/n is suddenly her soon-to-be stepsister. What begins as hostility soon turns into stolen glances, lingering touches, and a secret neither of them can control. The closer they get, the more dangerous it becomes - for their families, their careers, and themselves. Y/n G!p GxG

"I think you know what this is..." After running into each other at an ice hockey game, Tate McRae and long-term best friend of Tuckers, Riley Maxwell, realise they have more in common than they realise. - "For someone who drives sports cars for a living you're doing pretty terrible at parallel parking right now" "Shut-up wheezy" -

Y/n Reeves is no stranger to survival. She had to survive in the streets, raised in Shepherd's Bush, body inked with tattoos displaying the pain and grit. She built her name from drug deals and nonstop hustling in the streets and the studio. Now, she's rising-the UK's newest obsession in the rap game. To her, it's her way out, her way to keep her promise. Alexandra Saint Mleux is the last person she should want. Polished. Untouchable. The girlfriend of F1's golden boy-and Y/n's half-brother, Charles Leclerc. What begins as tension spirals into something unspoken. Something messy. Obsession doesn't always arrive loudly. Sometimes it waits in a glance. And sometimes, it feels like love. GxG Y/n G!p Disclaimer: This is a work of fiction. All characters, events, and dialogue are entirely imaginary or used fictitiously. Song lyrics quoted in this book are the property of their respective copyright holders. All rights to the lyrics, titles, and musical compositions belong to the original creators and copyright owners. No copyright infringement is intended. I do not claim ownership of any lyrics, titles, or compositions not written by me. Lyrics are used for creative, transformative purposes only, within the context of a fictional narrative. No copyright infringement is intended. Where lyrics are used, they are for illustrative purposes only and not for commercial exploitation of the song itself.

Loving her is Heaven on Earth. SEQUEL TO VENUS & BACK