Who would have thought that a single ice cream could make Celestine's life flip in an instant? One moment, she is a clinical psychologist living a quiet, orderly life in a major hospital. The next day, she is pulled into the military's shadowed world as an embedded civilian advisor tasked with psychological and ethical oversight for AFP's most elite military unit: SINAG. There, she meets the men who live in the margins of war: Rowan, the smooth-talking sniper who never misses; Silver, the sharp-tongued and brutally honest EOD expert who sees explosions as equations; and Kai, the youngest sharpshooter, fierce in combat yet awkward with anything resembling affection. And at their center stands Commander Captain Tres Levi-disciplined, impenetrable, and carved from duty. In stolen glances after missions, in quiet debates about morality, in the fragile silence where fear lingers unspoken, their guarded hearts begin to shift. To Kiss The Thistle is a slow-burn romance about restraint, trust, and the kind of love that blooms not in softness-but in survival.

Paris already took a step forward towards her goal. It's her revenged against the de Luca Clan. The traps have been laid out while she is the master behind the scene. Conflicted on her feelings between love and her revenge, another battle is about to surface. It was her unknown father. The sudden existence of her father has shattered her thoughts and views. Her father is someone she knew all along. How will Paris face this unexpected situation when this never happened in the past and never dreamed of it? Is she going to accept her father, even though accepting him means she has to give up what she cared the most?

In her past life, Samantha died at the hands of the person she trusted the most. Though he didn't kill her directly, he was the reason for her early demise. Upon waking up, Samantha promised to live her second life without regret. But first, she must figure out how to divorce her husband without hurting her in-laws who liked and treated her as if she were their own.

He came back but to make them pay the price of killing his loved ones. How can I save him from himself?

Other people thought that the Empress was evil because she was so great and could hurt women, but what they didn't know was that she had kindness in her heart... He was made to look bad to those around him, but what most people don't know is the opposite of his personality.... And a woman is crying and doesn't know what to do. A woman is weak and not a fighter.. How long can he tolerate this from the one he loves? Pero ang Tanong itutuloy ba ni Liza ang paghihigante dahil sa nangyayari sa yumaong empress na katawan niya ngayon..... Isang kabaligtaran na ugali... Isang babae matapang at Walang puso... Hindi alam ang salitang... pagmamahal.. Isang babae mahina at Walang magawa kundi hayaan ang mga tao ng hinanakit sarili niya puso at katawan... Paano kung ipagsabay natin ang katawan nila... Muling na Buhay ang empress ngunit Hindi ito ang dating mahina kundi palaban... Isang Mukha inusinte pero sa likod nito isang madilim at demonyo nasa isip ....

A woman who almost in her 3Os suddenly gone back time,during the period of her ancestors in a completely different body. There she meet a arrogant spoiled king and was forced to become his wife. What could be her life as a queen? Can she able to face the consequences? Well she go back in her time?

Maria Ignacia Rogers Azur was born into wealth and privilege, but her parents stripped it all away-not out of cruelty, but to teach her the value of life beyond luxury. Forced into simplicity, she entered a new school under the shadow of secrecy, hiding the truth of who she really was. There, she met Kiel Sebastian Yebes-the kind of man every girl dreamed of. Rich. Handsome. Untouchable. And yet, he noticed her. Their worlds collided, their hearts quietly entwined. A story of secrets, love, and chances where hiding the truth comes at the cost of losing the one thing she swore to protect. She hid her name. She buried her love. But fate never forgets.

Duke Sebastian Montegrande Story. TEAM: SHADOWS Like a human shadows, their team are hiding behind curtains, a protector, a heroes in the dark that gives light to someone's misery. A shadows whose brave enough to sacrifice themselves for the better and a brighter future without thinking how fucked up the world is.

...

The glamorous world of film is shaken when its brightest star, Eleanor Sanchez, vanishes without a trace. A fatal car accident sends her vehicle plunging into the sea-her body was never recovered. The world mourns the loss of a legend whose brilliance seemed eternal. Georgina Elizalde, Eleanor's best friend, threw herself into the search-leading every effort, exhausting every resource, and her face was a public portrait of desperate suffering. But the intensity in her eyes seemed to guard something far more specific than simple grief. Was the blazing pain a reflection of sadness and loss? In her absence, Lorraine Sandoval, once confined to supporting roles and perpetually eclipsed by Eleanor's fame, seizes her moment. With grit and ambition, she rebuilds her career, determined to finally claim the spotlight that had always been just out of reach. But just as Lorraine begins to secure her long-coveted place in the industry, a rising newcomer named Aurora Santillanes bursts onto the scene. Her fresh allure and quiet grace captivate the public-but unsettle Lorraine in ways she cannot explain. There's something hauntingly familiar in Aurora's eyes, something that stirs old insecurities... and a fear she thought had drowned with Eleanor. In the background stands Archie Ocampo, a former police officer who now works as Aurora's personal bodyguard. Haunted by his past and the cases he couldn't solve, he finds himself drawn to the young actress he's meant to protect-drawn by a feeling he can't quite name and a face that feels achingly familiar. As the spotlight shifts once more, fame turns to obsession, and truth blurs with illusion. ---------- The names, characters, and incidents portrayed in this story are products of the author's imagination. No identification with actual persons (living or deceased), places, buildings, or products is intended or should be inferred.