🌆 Setting: A bustling university town in Chiang Mai, where street food stalls rule the night and the student housing is gloriously chaotic. 🥢 Prem: A culinary arts student with a terrible sense of direction, a bottomless stomach, and an even louder personality. He's the type to cry over perfectly grilled pork skewers and sneak into local kitchens just to "smell inspiration." Think infectious laugh, offbeat metaphors ("This curry tastes like heartbreak and disco lights!"), and zero sense of boundaries. 🌧️ Boun: A literature major who runs on black coffee and brooding playlists. He's sarcastic, easily annoyed, and often caught reading under a tree during thunderstorms. But he also has a secret love for food vlogs and a very soft spot for cute stray cats-both of which he pretends to be too cool to care about. ⚡ The Collision: Prem accidentally moves into the wrong dorm room-the one already occupied by Boun. The housing office can't fix it for three weeks. Cue chaos. 🍛 The Twist: They get paired for a semester-long campus project: create a "Cultural Experience Box" blending literature and local cuisine. Prem's thrilled; Boun's horrified. 🥄 The Arc: Through late-night food stall hopping, arguments over story interpretations, and way too many spontaneous cook-offs in their tiny shared kitchen, their dynamic shifts. 🌠 The Climax: On the night they present their final project, the electricity goes out. In front of candlelight, leftover snacks, and a small crowd, they improvise-and Boun admits that Prem's ridiculous passion was the highlight of his semester. 💗 The Ending: They still fight. A lot. But now, Boun leaves post-it notes with passive-aggressive compliments on Prem's fridge cakes ("Too sweet. Like you. Annoying."). And Prem? He learns to cook Boun's favorite comfort food by memory.

Title: "Crossed Wires" Setting: A contemporary university campus in Bangkok, set against the vibrant backdrop of student theater productions, late-night cafés, and rainy season storms. Plot: Nut is a charismatic cinematography major known for his blunt honesty and laid-back attitude. He's used to working solo and believes that most people are all talk and no follow-through. Hong, on the other hand, is a tightly-wound literature student who thrives on control, precision, and order-and he has a deeply rooted mistrust of others due to past betrayals that he rarely talks about. They're forced to work together on a cross-departmental project: Nut is filming a student adaptation of a classic romance, and Hong has been assigned as the script supervisor. From the start, their clashing personalities set off fireworks-Nut accuses Hong of being uptight and self-important, while Hong sees Nut as careless and too quick to joke about serious things. But as they're constantly thrown together-late-night script revisions, dealing with difficult actors, weather delays-a deeper story begins to unfold. Hong's guarded nature frustrates Nut, but also challenges him. Nut's unpredictability scares Hong, but he's also intrigued by the way Nut notices things no one else does-like the slight tremble in Hong's hands when he's anxious or how he always rereads the same dog-eared poetry book when he's overwhelmed. One stormy night, when the filming schedule falls apart and tensions erupt, Hong finally admits his fear: "People leave. People lie. And I don't trust anyone who smiles like they've never been hurt." It's the first crack in his armor. From there, a tentative friendship begins to bloom-one that flickers with flirtation but is constantly threatened by misunderstandings and old wounds. The romance simmers beneath the surface, tested by a jealous ex, a looming deadline, and the question of whether two people who speak such different emotional languages can ever truly hear each other

About a girl Amara, and she is 14 years old