It's 1984- Hawkins is in shambles after Will Byers was discovered found in the woods; two weeks after his disappearance. Nineteen year old Jodie Henderson has been trying to ignore her brother's (Dustin Henderson) new odd behavior. When a new girl goes missing Jodie is thrown into the new world of monsters, supernatural powers, and an ominous red sky. The best help, and key player, to this investigation is Jodie's friend whom only whispers to her at night. She's knows she is crazy for trusting the voice. But she also thinks she has to choice if she wants to or not.

Henry Creel x OC She thought it was the pills. She thought it was her imagination. She didn't know it was him

A psychological horror fanfiction exploring an alternate timeline where Henry succeeded in gaining an accomplice, someone he'd manipulate to help him eventually succeed with his plan.

It looks like she fell directly into the devil's hand and now there is no way to escape. Henry Creel x Fem!Oc

Ema Pitts is supposed to have been dead for nine years. In reality, she's being transported from Montauk Camp Hero to Hawkins National Lab, where more experienced scientists are supposed to have better control over her... But Hawkins isn't the solution. Peter Ballard is. Slowburn Peter Ballard/Henry Creel lovestory Book one

Violet Brenner, Martin Brenner's daughter, one day discovers his shady dealings at Hawkins Laboratory. She then sneaks off with her friends to a party, where she gets into an argument with one of them. The day after the party, she learns from the police that her friend is missing. While searching for her, she meets Peter Ballard. She doesn't know what's waiting ahead of her yet. Dr Brenner has planned into making her into one of his experiments. She just starts hating her father even more than before but Peter makes the whole lab a more sufferable place for her.

The world survived Hawkins. That's what they're told. The gates are sealed. The danger is gone. Everyone is trying to move on - except Mike Wheeler. Because grief doesn't explain everything he's noticing. And silence doesn't mean safety. As the town rebuilds, something unfamiliar begins to surface - not from where they've been... but from somewhere they've never seen before.

a girl with much potential, lovely parents, and a dream had everything taken away from her when the interference of time grasped her like a curse, more specifically vecna's curse. a boy who only wanted her to be safe from the rest of him and remove her from the scope of his plans ended up ruining her more than anything else could. all characters that are from the stranger things universe are the duffer brothers original characters and not mine!! also pls comment! dont be a ghost readerrr

He doesn't take you by force. He takes you because he can't stop thinking about you. In the mind-world of the Creel House, Henry Creel does not collect people at random. He chooses you - older, aware, inconveniently perceptive - and keeps you close in ways that feel deliberate, long before they feel frightening. The children come later. They are easier. They believe what they're told. You don't. That's the problem. Henry calls it interest. Curiosity. A necessary fixation. But the truth is simpler and far more dangerous: you make him feel exposed. Seen. Real. And he resents you for it almost as much as he wants you there. He doesn't need your help with the children. He needs you to stay. This is a story about obsession that breeds control, about vulnerability used as leverage, about a monster who does not want to love - but does not know how to stop choosing you. This is a psychological descent where protection becomes possession, tenderness becomes strategy, and the most terrifying question is not how do you escape - but why haven't you tried.

Hawkins National Laboratory runs on routine: checklists, keycards, fluorescent lights, and the understanding that nothing here is personal. You learn this quickly, just a few days into the job that was forced onto you. You also learn that Peter Ballard never walks the same route twice, never stands where the cameras linger too long, and never looks at you unless you're alone. You are both orderlies-interchangeable, invisible, trained to keep your heads down and your mouths shut. Friendship is discouraged. Attachment is a liability. Affection is a violation. So you talk in hallways without microphones. You pass notes meant to be destroyed. You pretend not to notice when he positions himself between you and certain doors. Peter says the lab is watching everyone. Later, in a voice barely above a whisper, he tells you who you should really be afraid of. You should report him. You should keep your distance. You should never follow him off-camera. But the spaces between cameras are the only places you ever feel safe-and Peter is the only one who knows how to find them. Before the blood. Before the fire. Before he stops hesitating- you make a choice that was never cleared.