Nagashima Yuki finally transmigrated. More precisely, she reincarnated, straight into the deadly world of Jujutsu Kaisen. The moment she realized where she was, Yuki was thrilled. "Yes! I even got an awesome cursed technique! Time to join the protagonist squad!" All she had to do now was wait for recruitment. After all, wasn't a certain irresponsible white-haired teacher supposed to show up and bring talented kids to Jujutsu High? So she waited. And waited. And waited. "Why hasn't that white-haired teacher come to pick me up yet?! Hurry up and take me to Jujutsu High already!" But instead of an invitation... She attracted the attention of curse users. Now she's being hunted. Constantly. "Where are you, Gojo Satoru?! If Tokyo Jujutsu High won't take me, what about Kyoto?! Somebody recruit me already, please!!" When her life finally becomes impossible to maintain thanks to endless attacks, Yuki reaches a devastating conclusion: "This JJK production crew is way too dangerous! I quit the protagonist team!" And just before she walks into the darkness to fight it on her own terms, she glances back one last time at the school she once dreamed of joining. With tears in her eyes, she shouts toward the sky- "Gojo Satoru! Do you even know what you've lost?!" *** Gojo Satoru was born the strongest. In his entire life, only two things ever slipped through his fingers because he wasn't strong enough. One was the man who nearly killed him - Toji Fushiguro. The other was the mysterious person who appeared after his revival and took Toji away. Sorcerers inherit techniques. That person could dismantle them. Sorcerers attack with cursed energy. That person was immune. Sorcerers stand for justice. That person simply turned around, and walked into the darkness. Her name was Nagashima Yuki. And in the eyes of the jujutsu world, she was someone who stood completely opposite to sorcerers.

Everyone at Saint Orpheus University agrees on three things: 1. Elias Mercer is dead. 2. Elias Mercer was murdered. 3. Elias Mercer is currently attending lectures. The administration insists this is not a contradiction. Wendy Gazab thought the Evil School of Evil was bad enough. Then she got transferred to a university where death is treated like a paperwork dispute, reality changes by committee vote, and the murder investigation keeps getting revised retroactively. Now Wendy and the dangerously intelligent Francesco are trapped inside an institution that can edit truth faster than detectives can uncover it. Every clue rewrites the crime. Every witness remembers a different version. And somewhere deep beneath Saint Orpheus, something is feeding on consensus itself. Murder mysteries are supposed to end when you find the killer. This one starts there.

In the midst of the Goddesses having to solve various problems within their nations, a sudden new threat forces them to rise above and protect their nations from total destruction. In this slightly more serious take, the Goddesses face the opposite of them, beings born from negative energy with the soul purpose of destroying the nations they were born in. Worse is, they are far stronger and seemingly unkillable, never mind that nothing is known about them.

They sent her to the academy to learn control. What they didn't expect... was the storm she carried inside. Luna doesn't care about redemption. She isn't here to make friends, play nice, or be saved. She's darkness wrapped in flesh ,a girl with a stone heart, colder than death, and power that could tear the world apart if she let it. She's sent to Fledgling Institution,a prestigious school for different kinds of supernatural beings where they're molded to master their gifts and blend seamlessly into the human world. Secrets stir. Powers clash. And something ancient is waking beneath the surface of it all. Some monsters are born. Others are made.

Magic can do wonderful things and bring out the best in us... sadly, it can also bring out the worst in others. Akko learns this the hard way and now it's up to her friends to help save her from herself. (Summary subject to change) Co-Written by Mr. Hardcor3/MarkChapman100

this is also so I just use my iPads more-

Willow Dallarosa is dead, awakening in another realm she never knew existed. In order to free her soul from the twisted clutches of this new realm, she must attend an academy as a ghost and figure out how she died and what her unfinished business is. Something dark and foreign fills her veins, begging to be released. She believes it's a side effect of dying. Until she becomes the most hated ghost at the academy for standing up against the beloved reapers and the power explodes from her body-power she shouldn't have access to. Now, everyone's convinced she's part of some kind of prophecy she definitely doesn't believe in. In their minds, she's fated to massacre one of the four kingdoms in the underworld, and they're desperate to take out the threat. On top of dying, dealing with the reapers, and being part of some demented prophecy, people are disappearing into thin air and the number of deaths in the human realm have skyrocketed. Which means there are a lot more ghosts they don't have room for. But ghosts aren't the only ones going missing. Reapers, necromancers, death witches, vampires, and sirens are all at risk. They believe it's Willow's doing, and she doesn't know how to prove it's not.

Wendy S. Godwin-Frags Mibeit Gazab has two problems. The first is that her school is harvesting students' souls as collateral for unpaid tuition fees, which is technically legal, aggressively documented, and somehow tax-exempt. The second is her book. Shells of Desire, Volume 8 is a Qliphothic narrative familiar that automatically translates any unbearable situation into survivable genre fiction. Specifically: erotic melodrama. Wendy did not ask for this. She has filed seventeen formal complaints. The book has not acknowledged a single one. So when the school's reality-enforcement system flags Wendy as an unclassifiable administrative anomaly - something that has never happened in the institution's four-hundred-year history of processing, commodifying, and occasionally accidentally destroying its students - the book responds the only way it knows how. It makes it romantic. Wendy refuses. The book tries harder.