Okie's fifteen. She lives in New York. She's got a few problems: she's failing geography, her dad's a wimp, and her mother, Sumatra, is a stone cold bitch. But things get a lot worse when Sumatra turns into a zombie and eats Okie's dad. Clio, Okie's grandmother, lives in Toronto; but since the zombie apocalypse, Toronto's a lot further away than it used to be. Clio suggests that Okie transport Sumatra across the border, because family is family. But coaching Okie by cellphone isn't easy, and Clio has some zombies of her own to contend with. Luckily she has some garden tools. Naomi Alderman and Margaret Atwood team up for this unusual two-hander. Encompassing love, death, sex, and the meaning of family, The Happy Zombie Sunrise Home will surprise, delight, and convince you of the vital importance of keeping ready supplies of rhubarb and mini-wieners in your freezer at all times. The story unfolds beginning October 24.

This is Margaret Atwood at the absolute peak of her powers. For readers of "Oryx and Crake," nothing will ever look the same again. The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter.

Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around—and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed and everyone gets a comfortable, clean house to live in . . . for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates in the Positron prison system. Once their month of service in the prison is completed, they can return to their "civilian" homes. At first, this doesn't seem like too much of a sacrifice to make in order to have a roof over one's head and food to eat. But when Charmaine becomes romantically involved with the man who lives in their house during the months when she and Stan are in the prison, a series of troubling events unfolds, putting Stan's life in danger. With each passing day, Positron looks less like a prayer answered and more like a chilling prophecy fulfilled. Keep reading and be sure to enter The Heart Goes Last Fiction contest!

What happens when all your apocalyptic nightmares seem to be coming true? In this lyrically poignant piece, Margaret Atwood reflects on growing up in the age of the scarlet fever, diphtheria, polio and the whooping cough that swept Canada in the 1940s. Yellow signs with the words 'QUARANTINED' became a signature of the era and marked doors in neighbourhoods across the country. Drawing from her own experiences and the experiences of her parents who lived through the Spanish flu, Atwood sings words of encouragement, "Take heart! Humanity's been through it before. There will be an Other Side." And while nothing is scarier than an enemy you can't see, there is always hope and there is always another side. In a way that only she can, Atwood takes a look into the past and the present to give us words for the future. Copyright belongs to O.W. Toad and this piece first ran in The Globe and Mail.

"As a child, I was one of those who buried treasures in jars, with the idea that someone, some day, might come along and dig them up. I found similar things while digging in the various gardens I have made: old nails, old medicine bottles, fragments of china plates... That is what the Future Library is like, in part: it will contain fragments of lives that were once lived, and that are now the past. But all writing is a method of preserving and transmitting the human voice." There’s a secret book that no one will read for 100 years. It is a book from the future, so it hasn’t been published yet. It is kept in a locked room, in a Norwegian library. There is a sacred grove that will provide the paper for its pages. And there are 100 authors who will write its secret stories. 100 years. 100 stories. 100 different writers. This is the Future Library (Framtidsbiblioteket). It is being created by Scottish artist Katie Paterson for the city of Oslo in Norway. When Katie had to choose the first writer to contribute the first story, she named Margaret Atwood, prizewinning author, poet, essayist, literary critic, and Wattpad’s official Fairy Godmother. Read Margaret's thoughts about her involvement in the project here. *Watch Margaret on Periscope on May 26th 2015 to witness the live event, and stay tuned for a special Wattpad writing contest coming soon!*