klinta00
Being the daughter of Corey Taylor means music has been part of her life for as long as she can remember.
At eighteen, she knows her way around a stage, has spent more time backstage at rock concerts than school dances, and has absolutely no interest in becoming the next Broadway star.
So naturally, she ends up at McKinley High-home of New Directions, dramatic teenagers, impossible amounts of singing in the hallways, and more show tunes than any sane person should be forced to hear.
She can sing. Damn well, actually.
But if Rachel Berry tries to hand her another Broadway song, someone might lose a sheet-music folder.
She'd rather perform Slipknot, Stone Sour, Breaking Benjamin, Halestorm, Linkin Park, or practically anything with a guitar behind it. She isn't chasing fame, doesn't care about McKinley's popularity ladder, and has no intention of telling everyone that her father happens to be one of the most recognizable rock singers in the world.
Then there's Noah Puckerman.
Puck has a reputation, an attitude, and enough trouble following him around without adding another girl to the mix. But there's something about the new girl who isn't intimidated by him, doesn't fall at his feet, and is more likely to insult him than flirt with him that keeps pulling him back.
And for once, Puck might actually want something real.
But this isn't exactly the Glee story everyone remembers.
Puck never got Quinn pregnant.
Quinn still betrayed Finn, but the boy she cheated with was someone else from McKinley, leaving Puck completely outside that mess-and free for his story to take a very different turn.
With secrets, music, friendships, rivalries, one extremely famous father, and a Glee Club determined to drag her into songs she'd rather set on fire, McKinley is about to learn one very important thing:
She doesn't do show tunes.
And Noah Puckerman is about to learn that getting her attention is the easy part.
Keeping her might be a hell of a lot harder.