Rosie Alder-Pembrook isn’t planning on letting her ultra-feminist club get shut down due to the senior class council’s budget cutbacks (and to be honest, it’s kind of killing her senior year buzz). But when it seems that the only way to revive it is to strike a deal with the semi-sexist/mostly ignorant Class Council president, Peter Bevan, to help him fix what he broke with ex-girlfriend/real life Barbie doll, Ella Hall, she’s made to wonder if it’s quite worth selling her soul over. And so, alongside her best friend, (who she’s sure wasn’t always this hot) a group of angry teenage feminists, and the outlandishly willing drama department, Rosie embarks on a mission to reclaim her beloved club – at whatever the cost.

When Vienna dreamed of her future as an artist, she didn’t imagine being the starving kind but life hasn’t quite turned out as she envisaged it. Stuck in a dead-end job and living with her sworn-enemy-turned-best-friend isn’t where she thought she’d be at 23: adulthood isn’t turning out quite as she planned. It doesn’t help that she has her mother breathing down her neck, forcing her to jump through life’s hoops. When a serendipitous meeting comes her way, she has a choice to make and a risk to take: she can play it safe and keep painting by numbers or she can begin a new canvas and risk losing everything to find the joy her life is sorely missing. The natural reaction is to do what any struggling artist would: Vienna quits her job, the only safety net she has, to pursue her dream.