What is new about how teenagers communicate through services such as Facebook, Twitter, and Instagram? Do social media affect the quality of teens' lives? In this eye-opening book, youth culture and technology expert danah boyd uncovers some of the major myths regarding teens' use of social media. She explores tropes about identity, privacy, safety, danger, and bullying. Ultimately, boyd argues that society fails young people when paternalism and protectionism hinder teenagers' ability to become informed, thoughtful, and engaged citizens through their online interactions. Yet despite an environment of rampant fear-mongering, boyd finds that teens often find ways to engage and to develop a sense of identity. Boyd's conclusions are essential reading not only for parents, teachers, and others who work with teens but also for anyone interested in the impact of emerging technologies on society, culture, and commerce in years to come. Offering insights gleaned from more than a decade of original fieldwork interviewing teenagers across the United States, boyd concludes reassuringly that the kids are all right. At the same time, she acknowledges that coming to terms with life in a networked era is not easy or obvious. In a technologically mediated world, life is bound to be complicated.

READ my SHORTS! ('cos eating them isn't very tasty) - A collection of very short stories, micro-fiction, one-shots, drabbles, flash-fiction and other random stuff. Call 'em what you will, they're bite size little morsels from the brain of me. Crossing all genres, and of lengths up to about 1000 words.

A street-savvy P.I. with a big heart. A missing sister. And a hunky detective who is nothing but trouble. Things are about to heat up in Honolulu! (short novella-length cozy mystery)

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . . Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . . By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

Stranded on a parallel Earth, the Tenth Doctor finds himself mentoring a traumatized child soldier enlisted in a hopeless war to save humanity. With an endless number of mysteries in sight -- from the enigmatic alien invaders they call Angels, to the strange machines known as Evangelions used in the planet's defense, to the shadowy maneuvers of those in power -- the Doctor is drawn deeper and deeper into a web of mistakes and sins that threaten to consume all humankind. In time, he'll face the darkest question of them all: what if there are some worlds -- and some children -- even the Doctor can't save?

Quotes from Doctor Who (in case the title was unclear). All rights to the BBC.

People use tattoos as visible expressions of experience and aspiration; declarations to the world, sometimes hidden, always there. But what if your tattoos could do more, could remake desire into apparent reality - let you reinvent yourself as anyone, or anything?