Pete Wentz was used to late night hook-ups, drunken kisses, and getting on his knees. For anyone. Mikey Way was used to coffee cups, The Smiths, and hearing about his brother's boyfriend every second. So why Pete Wentz ended up writing Mikey Way a song and performing it at a house party was beyond everyone.

Third book to 'to people who leave.' Mikey's gone and the only thing Pete wants is him back. People may be leaves and can't stay forever but they can't be gone forever either. petekeyaf 2016 ©

sequel to To People Who Leave! Read that before this - - - Loss. It's lonely and it's sad. And it draws people together. Everyone wants to be together. But for Pete There is no one there. He's lost And all his people have left, as well as the autumn leaves. #2 in the petekey tag! petekeyaf 2016 ©

"People are like leaves, they can't stay forever." Pete Wentz knows this. Someone tells him this everyday. Everyday Pete gets a letter from someone he supposedly doesn't know, or at least that's what they say. He knows basically everything about them and he wants to know more, when the letters stop coming. petekeyaf 2015 ©

Just two gay authors' insights into what the summer of like could have been for Pete and Mikey if either of them had GROWN SOME FUCKING BALLS. i mean, a petekey au ---- Co-written with the brilliant @captain-of-the-ships. (tbh she did everything)

After a failed suicide attempt, Frank Iero is placed into an induced coma to prevent any further self harm. While he's asleep, he's visited by what he believes is an angel who sings to him. When Frank finally awakens, it becomes his obsession to find who the voice belongs to. [[Trigger Warning! Suicide-- do not take this warning lightly. Suicide is a main theme. Pretty explicit self-harm, child abuse, underage drinking, reckless behavior, and depression. If you notice anything else that needs tagged, please let me know!]]

"He who makes a beast of himself gets rid of the pain of being a man." When notorious pirate (and total asshole) Gerard Way snatches young, innocent Frank Iero from his tidy, planned-out life and deposits him on the infamous pirate ship, The Black Freighter, he is immersed in a world of deception, violence and sin. The thing is, though, he knows from the start that it won't be the fighting that destroys him-- it will be the loathing he and Gerard feel for each other that will tear him apart in the end.

They were murdered, they were attacked and now they're dead. That's all Frank knows about his parents - gone before he'd even had chance to miss them, and it was fucking with his head. The police reckoned that moving away, to rural New Jersey with his grandparents would help him cope with the loss, but even Frank knew that they couldn't be more than wrong, because despite the dull sleepy atmosphere of the town, there was something unidentifiable yet impossibly unnerving about the place, and really, perhaps was safer in his parents home than he ever was here. And there's something physically wrong too - a figure that lurks in the smoke, fog, and shadows - a silhouette the deepest black he'd ever seen, the kind that brought an unsettling feeling to Frank's stomach, and really Frank's wasn't one to be overly twitchy about things like this, but from the moment he first met him, he could never shake the feeling that the figure was always following him. And perhaps, he was. (Vampire!Gerard)

“I’m… I-I I’m sorry…” that’s the only thing I manage to choke out. Nobody ever caught me self harming. “You’re always so fucking sorry Gee. Save it, it doesn’t change anything.” He says and his hand wraps around my arm again. “Can I? Please?” he asks, puppy eying me again. This time, I don’t resist. I let him pull my sleeve up, and see all of the burns. He frowns and looks me in the eyes again. “What am I going to do with you…” he shakes his head and pulls me into a hug. That’s good, I can admit I actually needed it. I rest my head on his shoulder and close my eyes.