THE SEQUEL TO THE VAMPIRE UNDERGROUND! Brin Skar is trying to get her life back on track. She barely survived the grisly vampire attack in Bodie Ghost Town, the mysterious Paul is now a guest in her own home, and her dad Kristopher, dead for over a year, has emerged from the grave to try to kill her. After two somber funerals and the baffling disappearance of her Intro to Film teacher, Brin decides she needs a break from all the pain and heartache. And what's a better escape than a round of golf at the brand new Macabre Golf Course? But as soon as Brin and her friends hit the links, strange noises and bizarre sightings begin to occur. And unfortunately for the group, the vampire encounter is going to seem like child's play... especially when the zombies come out to play! A NOVEL BY BRIAN ROWE COPYRIGHT (C) 2012 by Brian Rowe This book is a work of fiction. Any resemblance to actual persons, living or dead, or actual events, is entirely coincidental. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author's imagination or are used fictitiously.

16-year-old Brin Skar hates everything to do with being scared, so she isn't happy when she discovers that her junior year Film class at Grisly High is devoted to the horror genre. Worse, the first assignment for the students is to create their very own horror movies. Brin and five classmates travel to Bodie Ghost Town in California to shoot their creepy film, but they soon find themselves fighting a real terrifying threat when a clan of mean, ruthless vampires emerge from beneath the surface and start attacking the group. The teens, headed by Brin and the egotistical director Anaya Frost, have no help from the outside and become outnumbered by the bloodsuckers a hundred to one. But when Brin meets Paul, a helpful and smoldering vampire outcast who's had enough of his shameful life, she discovers he may be the only key to their survival. A NOVEL BY BRIAN ROWE COPYRIGHT (C) 2012 by Brian Rowe This book is a work of fiction. Any resemblance to actual persons, living or dead, or actual events is entirely coincidental. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously.