In this futuristic retelling of Beauty and the Beast, Bo is the leader of a group of refugees with no homes to return to. It is the time after a great war between the inhabitants of earth and creatures from another planet. Now the humans rely on scavenging the war-torn remains of the blast zones to keep themselves alive. When Bo's father is late returning from a hunt, she knows something has gone wrong. Fearing that he might have taken her request to bring back a now-extinct rose seriously, Bo sets off to find him in the Dead Woods. Only, when she does find her father, she also finds an enemy that was thought to have left the planet long ago. Bo is forced to choose between her freedom or her father, her refugees or a creature she wants to kill with every fiber of her being.

The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, morality, education, and marriage in the society of the landed gentry of early 19th-century England. Elizabeth is the second of five daughters of a country gentleman living near the fictional town of Meryton in Hertfordshire, near London.

More than eight years before the novel opens, Anne Elliot, then a lovely, thoughtful, warm-hearted 19 year old, accepted a proposal of marriage from the handsome young naval officer Frederick Wentworth. He was clever, confident, and ambitious, but poor and with no particular family connections to recommend him. Sir Walter, Anne's fatuous, snobbish father and her equally self-involved older sister Elizabeth were dissatisfied with her choice, maintaining that he was no match for an Elliot of Kellynch Hall, the family estate. Her older friend and mentor, Lady Russell, acting in place of Anne's late mother, persuaded her to break the engagement. Now 27 and still unmarried, Anne re-encounters her former love when his sister and brother-in-law, the Crofts, take out a lease on Kellynch. Wentworth is now a captain and wealthy from maritime victories in the Napoleonic wars. However, he has not forgiven Anne for rejecting him. While publicly declaring that he is ready to marry any suitable young woman who catches his fancy, he privately resolves that he is ready to become attached to any appealing young woman except for Anne Elliot.

Jane Alcott was raised on a farm and is more at home milking cows and birthing foals then she is dancing with London's most eligible bachelors. She had her first season when she was nineteen and was humiliated with her clumsiness and crassness. Now at twenty - three her mother has decided that it is time for her to be married so she sends her to have another season, staying with her brother, the Earl of Ethridge and his wife, Emilia. While Jane doesn't plan on making any connections, little does she know that she's attracted the brooding Daniel Winchester, a man with secrets and a painful past. A man who swore he would never love again.

After tragedy strikes, Alla, a young slave woman, escapes from the only life she has ever known to embark on a new journey to an unknown world. Will she be able to not only pass for white, but also pass for an English governess to the Duke of Manchester? -ROUGH and UNEDITED- Copyright © 2012

WHEN AN UNLIKELY SUITOR.... The Earl of Stokeford is hardly a man of amiable disposition and social graces. He scowls whenever he pleases, becomes rude at any time convenient for him, and worse, has a regrettable tendency to scare ladies out of their wits. Therefore, it is a most astonishing thing indeed when, upon laying eyes on the beautiful Miss Sophie Winscott, he decides to embark on a courtship... Except, of course, the hapless peer knows nothing in the matters of romance...until he receives help from an unlikely quarter. MEETS AN EAGER MATCHMAKER Then enter Miss Winscott's cousin, the vivacious Caroline Davis, who oddly gets along well with the slightly waspish Earl. Determined to help, Caroline endeavours to make a match of the two. But for all her enthusiasm, she can't help but be drawn to the troubled lord... and things start to get a little tangled from there.

What makes a good fairytale? Catrin Llewelyn believes in fairytales, Beatrice Morton does not. And yet in many ways their life resembles one. Stepsisters living together on a manor, Catrin is shunned by her stepmother, while Beatrice is doted on and adored. Only the rules of the classical fairy tales are rather broken, for Beatrice cannot stand her mother's attentions and Catrin is devoted to her stepsister and only friend. When the Duke of Denster hosts a ball in honor of his son's birthday, the new Mrs. Llewelyn decides to try and match make Beatrice with the Denster heir. There is one slight problem. Beatrice has long decided to find her own love, without the help of mothers and balls. So with the help of her godmother she comes up with a scheme that will take Catrin to the Masquerade ball in her place. Will Beatrice be able to give her mother the slip? Will Catrin be able pull off the disguise? And what happens after the ball is over? Does everything go back to normal? Or could there be more to the story than either of the stepsisters ever imagined? Of Fairytales and Happy Endings is a story set in Wales during the Regency Era. Fairytale meets history and fact meets fiction as the two stepsisters set out on a journey to discover just what is it about the fairy tales that always seems to give them happy endings.