Sanji lari ke Krabi bukan untuk melihat seni batang berdiri. Tapi mencari Nur yang tak pasti. Mencari Nur yang hilang di tengah-tengah Latiff Jamhadi. Mesin taip diketuk hingga berlekuk kertas kajang empat panjang. Gigi-gigi harmonika basah lekit terkena lekat bibir koko Milo yang dicicah Tiger. Biskut rapuh cuba dicicah perlahan. Dalam masa 5 saat, diangkat supaya tidak tenggelam dalam lautan kenangan. Kisah-kisah lari yang dirakam natang GoPro tak pernah berhenti mengejar dari tepi. Suara hembus seperti angin dan bersiul-siul manja di telinga. Air lemon berkocak dada. Rodeo romeo terus mengasak dalam khayalan Sanji yang pasti ada cerita dalam kelopak bunga matahari yang tidak mati. Cium biar stim, kucup penuh goda, seperti semalu yang memencil dirinya. Dan dan tidak pernah jumpa, kata Rohan sambil perbetul spender.

Kau muntahkan segala rasa yang kau anggap semuanya sasau dan gila. By Author Mendung Hujan.

living in a hostel is not easy when you are living in the same room with a psychopath.

"Marie Antoinette's Watch is a wonderful book." - William Gibson, author of Neuromancer. Across continents and into and out of the hands of royalty, revolutionaries, smugglers, thieves, and the world's greatest tech engineers, was Marie Antoinette's watch, the "160," worth an estimated $40 million in today's dollars. Perhaps the most sought after personal technology device of the last 200 years, the timepiece, designed by the legendary Abraham-Louis Breguet, is the launching point for a thrilling and fluidly woven set of narratives that are, in part, forbidden love story, historical document, and police procedural. Marie Antoinette's Watch also deftly lays out the history of horology and the 18th Century engineering feats attained in Paris's answer to Silicon Valley, the Île de la Cité, that made the watch the most intricate and prized personal device of its time - something that's come full circle today. In the hands of form Techcrunch's and Gizmodo editor, John Biggs, Marie Antoinette's Watch is by turns edifying and lurid, historical and utterly modern. Culminating in a heist in a Tel Aviv antiquities museum in the 1980s, Biggs tells the story of how one object can transform countries, cultures, high technology, and time itself.