Four years, many exes, a couple of albums, a band split and a band hiatus... a lot has happened since Ryan Ross walked away from Panic! At The Disco. Trying to get lost and forget his feelings for Brendon Urie isn't a walk in the park. So when he comes back to right some wrongs and hope to mend the bridges he burned, is four years enough time for them to make amends - or further their problems?

Ryan struggles with his life, the factory work and extremely low living standards can't guarantee him a long life. He loathes nothing more than his abusive and arrogant boss, who endangers them all day after day. But due to a convenient coincidence he finds himself making acquaintance with the boss' son, Brendon, who inherited the same arrogance from his father. Could this dangerous liaison save Ryan from his horrible fait or will it toss him straight into the afterlife? - set in London during the Industrial Revolution -

Brendon was a boy in love. Ryan was the pitcher for the school baseball team. {Just a ryden baseball au I thought would be cute!} Brendon's POV

"jesus christ, are you ever not an annoying prick." or where brendon meets his new neighbor, ryan, who always finds a way to annoy him highest ranks; #1 in joncer #2 in ryanross #2 in panicatthedisco #1 in ryden

Ryan works at a LGBT support hotline. He isn't enthusiastic about it at all. Brendon is a closeted gay kid who has no one to talk to. What are the odds of their connection through their phone calls? TW// homophobic slurs ((maybe)) cover by @mi_cro_wave

au || "fuckboy" ryan starts texting brendon, only to become infatuated with him

It's the lake in November, and the move closer to the ocean, and Gerard's fixation, and Gerard's compulsions like tidal waves dragging him down, and Mikey's more distant than ever: like they're drifting out into the middle of the ocean, whereas Gerard's just stuck there: water turning to quicksand around him, drowning. And it's the letter; Frank finds it on the floor of the boys' bathroom on the first floor. It's dropped in accident, perhaps from a pocket or something, and it's drenched in what Frank hopes is tap water, and the words: scrawled in blue ink are difficult to make out as the words join together in a fuzzy inky mess. The only paragraph legible is the final one, and even still, it barely is: 'I've been underwater for a long time now, but I'm not drowning, I'm beginning to think I can breathe like this, but I can't, I'm gasping for breath, and I have to do this, Mikey, I have to end this myself. I'm going to the lake on the 1st of November, don't wait for me... I'm not coming back.' And the name signed at the bottom is little more than a smudged mess of blue ink, and there's nothing Frank can do about it, but he knows for certain that the one thing he can't do is ignore this letter, and he reminds himself of that as he folds it into his pocket. It's a suicide note, Frank's stupid, but not stupid enough to brush over that fact, and whoever this person is, Frank knows that they most certainly don't deserve to die. And Frank isn't going to let them. Because he's going to find this person; he's got time now at least, and he can save them, he will save them - Frank promises himself that. But one person in a whole school, it's like a needle in a haystack, but he's got time, it's November 1st in thirty days, and he can only hope that it will be enough. He's got one month: the date is October 1st.

Ryan's new in town and with his crippling anxiety and past issues with bullying at his last town, school is not going to be easy for him to start fresh. That is, until he meets Brendon, the only person he can count on to make his life less painful than it already is. As school takes an unexpected turn, Ryan finds himself thinking about Brendon as more than a friend...

It's 2018 and people think that the apocalypse has ended. Where cities, homes, businesses and humble towns once stood, now there lies only death, only destruction, only emptiness. Only the moans and the shuffles of the living dead. But in reality, it's only just begun. And for two lonely boys, once separated from each other by dead-town states and not even aware of each other's existence, it's far from being over. It's not about saving the world. It's about saving themselves. ----------------------------------