Alyssa has been living a lie. After the worst breakup of her life, she is faced with her worst nightmare: look back at her messy breakup and relationship, and see what really went wrong.

she would never be good enough for them. *lower case intentional cover by the lovely @fourgiving TW: eating disorders, bullying, self harm please read responsibly and take care of yourself <3

In which the conditions themselves decide to speak. And those they inflict attempt a response. #freeyourbody #ThePeopleOfSociety A featured story for @themaddieproject #58 in short story (amazing cover by @soundthealarm)

One day, Morgana decides to pick up a pen and write a series of letters addressed to those she loves and hates. In these letters, she reveals her deepest fears and darkest secrets, in these letters she tells of the only boy she's ever loved and in these letters she realises that nothing is ever as it seems, and after these letters, nothing will ever be the same again. (used to be named Thirty Letters) (Inspired by the 30 Day Letter Challenge)

crashing waves. thunderstorms. destruction. they all f e e l like you. shade. tears. stagnant rivulets. they all l o o k like me.

So you wanna talk about love? You wanna talk about heartache? Let's talk about ivy league freshmen Luke Henson and his unyielding desire to be liked, loved, remembered and prized. Then after that, let's talk about Kennedy Vo, resident alpha-girl and the star of everyone's daydream. This is about the heartache that comes with falling in love with the idea instead of the person. What it means to both admire and be admired from afar. A tale told through the eyes of both the Dreamer and the Dream. Shawn Mendes and 5SOS AU. --------------------------------------------------------------------------------------------------------------- Copyright © 2016 by Odette Roux All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Odette Roux. This is a work of fiction. Names, characters, corporations, institutions, organizations, events or locales in this novel are either the product of the author's imagination or, if real, used fictitiously. Public personages both living and dead may appear in the story under their right names. Scenes and dialogue involving them with fictitious characters are of course invented. Any other usage of real people's names is coincidental. Any resemblance of the imaginary characters to actual persons, living or dead, is entirely coincidental.