The son of a Navy official, Mitchell Hollister has now enrolled into Annapolis' Naval Academy himself...will he be able to stick to the "destined script" that others have envisioned for him, or will he follow his heart and pursue his "taboo-esque" relationship with his once longtime friend and obsession, budding collegiate artist Jassandra Mills? Will their racially curious union survive what life has in store for them?

"This was suppose to be easy, nobody was suppose to get hurt". Twenty year old Ivory Santana was what most people would call friendly and caring. She'd be the person you'd least expect to have a father running one of the biggest drug trafficking industry's in America. Ivory has went through great measures keeping that part of her life private while attending college at NYU, that is until she's taken. Twenty two year old Jade and his older brother Ohaji are 2 completely different types of people that you wouldn't expect to even associate with each other if they weren't related. With dreams of one day being as legendary as their father once was. The two brothers were given the task of kidnapping their boss, big Al's enemy's daughter until he agrees to compromise. Sounds simple enough right? WRONG. What happens when Ivory teams up with the brothers and this turns into a cat and mouse game between bonds and blood?

[SAMPLE] Reed frowned, his eyes filled with confusion when he saw that Lena seemed to be fine. "I heard a scream," he announced stiffly, standing awkwardly over Lena's bed. Beneath the sheets, Lena was torn between renewed arousal and slight mortification. Embarrassment won. "Everything's fine," she muttered, trying to discreetly disengage the battery-operated toy from between her thighs. It was a thick phallus, way too thick to silently exit her wet pússy, but finally, finally, it popped out. "But you screamed." "Because I came, Reed." His bewilderment only grew. "Came where?" And that was when Lena knew that even after what had happened between them last night, Reed was still like a newborn, an innocent. He might have been the most intelligent guy she knew but in many ways, he was still the boy he'd been before the accident that had marred his life. So she heaved out a sigh, clamping her thighs together when she felt his gaze scorch her damp skin. "I had an orgasm, Reed." She calmly spelled it out, wondering if she should mention that it was his cock she'd been imagining inside her. Now that she knew what he was packing, it was impossible to get the image out of her head - not that she was trying. Reed swallowed, a blush creeping up his neck. Lena was instantly turned on by that blush, by his obvious discomfort and arousal. So she did the most natural thing that came to her. She pulled her sheets away.

❤️ WATTYS 2018 WINNER ❤️ WATTPAD FEATURED ❤️ When sixteen-year-old Janie Myers' grades hit an all-time low, she is pulled from her blow-off class with her best friend and placed into a course the guidance counselor says will boost her confidence: theater. There, she meets a group of theater "misfits" who accept her into their troupe. Armed with a full troupe of actors, the misfit theater company takes on a one act that will not only challenge Janie's shyness, but also her feelings for fellow misfit Thatcher. Cover photo credit to Anthony Ginsbrook. Found on Unsplash.com and edited using Canva.

I am his siren, and I sing out for him; FORLORN NIGHTS OF SPRING is a collection of poetry. © 2017-2018 ally maková, all rights reserved.

Ashleigh Dawson is a preachers daughter. She's always wanted to explore life outside of the just being a pk. Now Ashleigh is 21, living alone, and is finally able to achieve all of her free spirited dreams. (For a mature audience only.)

© All Rights Reserved to tvpacshakvr 2014-2015 *You must read book 1 (Worst Behavior) before reading this* In the sequel to Worst Behavior Shayne and Tavi come to terms on co-parenting Addison. But just like any other time it's hard for them to resist one another when it comes to sex. Everything their doing feels so right, but it's the wrong thing to do. In the end will they finally come face to face with their feelings or will they stay in denial about it and continue to mess with not only each other's hearts but other's as well. NOTE: Some chapters may be private so follow me in order to have access to all chapters.

A billion-dollar clone, bought and raised as an extremely dangerous weapon, strikes out against those who manufacture and harvest clones for spare parts. ***** Duplicates are used for one thing: spare parts. Kept in Emulation Facilities, brain-dead and hooked to machines, duplicates never open their eyes. As a transplant nurse, Evette Ashford knows this better than anyone -- until a living, breathing duplicate shatters her life. Merely knowing he exists drags Evette into a deep, dark world of manipulation, danger, and control. Evette knows he just wants to find himself, but the corporation that created him are furious he's broken their control. So Evette must decide who to trust: the monster who forced her into this chaos or the monster who created him. [[IC Universe People's Choice]] [[1st Place, Writers' Olympics Dystopian Award]] [[1st Place, Oscar Sci-fi Award]] Content and/or Trigger Warning: This story is rated PG-13 for violence, language, and sexual content. This story will become free on January 31st!

If your life dealt you a love that could stand the test of time; how would you embrace it? Talisha would be torn between a love from an ex lover that didn't last in a past, and a love from a man named Raymond that she didn't want to accept. The pain from both of their past relationships brought them closer to each other. If someone could love you past all of your pain and see past your imperfections would you be able to do the same. Find out if Talisha and Raymond will find true love through the pain of the past and the shocking reality before them. Copyright © 2016 by Linda Hurd All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed "Attention: Permissions Coordinator," at the email address below. lindapatrick1993@gmail.com