The advice you will find here follows the Chicago Manual of Style which is widely used by American publishers. There are some variances in style from country to country (and even from American publisher to American publisher.) **It may be easier to search the Table of Contents, as there is no rhyme or reason right now to chapter order.**

Cliffhangers? Plot twists? Complex characters? Back stories? Bad guys? Chilling scenes? Mystery and Thriller, home to some of the most interesting, intriguing books you will ever read. There are turns round every corner, suprises at every bend and most of the time you are left with literal goosebumps. But writing Mystery/Thriller is much harder than just reading- are you up to the challenge? See this book as survival training for the very tough battle you are about to face when writing MYSTERY/THRILLER!

"Science fiction writers foresee the inevitable, and although problems and catastrophes may be inevitable, solutions are not." - Isaac Asimov This piece is intended as a bit of a Help guide, a point of reference and hopefully something people will enjoy, as ultimately all of you will have different experiences reading and writing science fiction, and writing in general. If nothing else, I hope it inspires you to try your hand at writing Science Fiction if you haven't already.

A brief description of who we are and what we do.

YOU WANNA FIGHT? FIGHT ME! Or we could have a cup of tea and a biscuit if you prefer. Ever found it hard to get to grips with how to put together a fight scene, or a battle sequence? This guide runs you through the basics, talks about different styles of fighting and weaponry, how to put together fight scenes, plan out battles, and talks about how you include Fantasy or Magical elements as well as the various Dos and Don'ts of writing Action. Now with added flamingos... are we sure that it's spelled like that? There's an aardvark with an Uzi somewhere too.

If a book has really good dialogue, you may not notice because it flows so naturally. But if you're reading a book with poorly written dialogue, it will probably feel awkward. It may even feel painful. You may not want to continue reading. You don't want to be that writer. Don't be that writer. Learn how to avoid some of the most common dialogue mistakes here.

Coming up with five adjectives to describe your character barely scratches the surface. In order to make your character figuratively come alive, you'll need to know them better than they know themselves. The exercises in this book will make you think about your characters in ways you never have before.

We are all not perfect, we commit mistakes, we recognize them but we do them again. These "story" is for those who seek critique and want tips on how they want to improve their story better. I am not a proffesional editor and critic but I was once the Editor-in-Chief of our School Newspaper and I hope to be an EIC again when I'm a Senior.

Gail Simone, writer of @VertigoComics’ new horror title CLEAN ROOM, details the unvarnished reality of what it takes to become a comic book professional.

If you're struggling with punctuation, dialogue, spelling or grammar, have a read of this simple guide to the components of writing, copyright, and publishing. [UNEDITED VERSION- Full, edited version to be released soon!]