Left in the woods, Hansel and Gretel, meet a man who offers them a place to spend the night. But they want them to live there forever. During their stay, they start to reveal clues about their near slaughter and forbidden love.

This isn't just another book written by a young girl this is my real life experience as a teen mum at only 15. I had a wonderful boyfriend, loving parents and amazing best friends. My life was complete but everything changed when I looked down at the little plastic stick I was holding in my hands. I began to panic I couldn't breathe tears filled my eyes and by heart was beating so fast I couldn't hear the doorbell. My once perfect life was about to change, I wasn't sure if it was going to be for the best or the worst but in 9 short months I would soon find out

Vacation in paradise turned to vacation in hell as a mysterious outbreak infects the island that our characters are staying. With nowhere to go, they have to fight to survive or turn to a slave of evil.

When you're marked you have two choices; fight or die. Nance lives in the past, literally. Her city is a recreation of early twenty-first century society. To the outside world they're experiments, just rats running around a maze. In an impoverished future world, the city seems to be their only chance of finding where they went wrong, or so they say. Nance doesn't know the real purpose of her home, and she doesn't care. All she sees are the one hundred teenagers, just like her, who are killed every year in the barbaric ritual known as the marking. They tattoo your face and pit you against your peers, against the city. Nance doesn't know why, but it doesn't matter, because she's sixteen and it's her turn to be marked. **So I decided to replace the original story with the rewrite because they are pretty much exactly the same. Plus, it's a lot less complicated then having two separate books for the same story.** There is a * next to all rewritten chapters. THE ORIGINAL VERSION IS COMPLETE. IT'S JUST NOT MARKED AS SUCH BECAUSE I GAVE UP ON THE REWRITE.