A #BLINK Novella. John is in a coma, stuck in a dark abyss, and his ability to look at a photo and enter that moment in time can't help him here. Not unless his guardian angel Semila gets him a photo from back on Earth, and there's only one way to get there--a dark road straight through Hell. A collaboration by @cashjo and @joycronje This book is a 1.5 book, which means it makes most sense if you've read BLINK already. You can find it on my profile. (c) 2015 Steve Ford & Joy Cronjé

Plumes of dust billowed around John and Dark John where they slammed into the hard, scorched earth. John observed the barren landscape. 'Where are we?' Dark John shook his head and got to his feet, dusting himself off. 'The only place Hell wouldn't follow us to. Angels have betrayed human kind, John, they've given the Earth to Hell's hoards.' 'This is the dead world!' John shouted. Dark John cringed at the volume, then somewhere in the darkness above a grey horizon the screams began. 'Yep' --he grinned-- 'and I think it's gonna get a bit deader pretty soon.' In the darkness thousands of burning eyes appeared, and the ground trembled as the dead rushed towards them. John struggled to his feet, and they ran. *** Earth has been sold out, the Circle of Ten has voted. Heaven stays with the Angels, and Hell gets Earth, but not everyone agrees. John and Semila are trapped in 1963. Can they beat the monster killing the children? Death is missing. John and Dark John are stuck on the Dark World, a world in an alternate reality. The Succubus Natasha and the army of Sentinels must find them all and get them back before time runs out. The fate of the world depends on it. Surely this can't all be connected...can it? (And you thought the last one had twists!) BLINK 2: Circle of Ten is a work of fiction. Names, characters, places, and incidents are the products of the authors' imagination or are used fictionally. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental. © 2016 by Steve Ford and Joy Cronjé. All rights reserved. No part of this book may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the authors, except in the case of brief quotations embodied in critical reviews and certain other non-commercial uses permitted by copyright law.