The crash of a Dallas-bound jet wasn't just a tragedy to TV reporter Avery Daniels; it was an act of fate that handed her a golden opportunity to further her career. Mistaken for a glamorous, selfish woman named Carole Rutledge, the badly injured Avery would find that plastic surgery had given her Carole's face, the famous senatorial candidate Tate Rutledge for a husband, and a powerful Texas dynasty for in-laws. And as she lay helpless in the hospital, she would make a shattering discovery: Someone close to Tate planned to assassinate him. Now, to save Tate's life, Avery must live another woman's life -- and risk her own...

An ingenious code hidden in the works of Leonardo da Vinci. A desperate race through the cathedrals and castles of Europe. An astonishing truth concealed for centuries . . . unveiled at last. While in Paris, Harvard symbologist Robert Langdon is awakened by a phone call in the dead of the night. The elderly curator of the Louvre has been murdered inside the museum, his body covered in baffling symbols. As Langdon and gifted French cryptologist Sophie Neveu sort through the bizarre riddles, they are stunned to discover a trail of clues hidden in the works of Leonardo da Vinci—clues visible for all to see and yet ingeniously disguised by the painter. Even more startling, the late curator was involved in the Priory of Sion—a secret society whose members included Sir Isaac Newton, Victor Hugo, and Da Vinci—and he guarded a breathtaking historical secret. Unless Langdon and Neveu can decipher the labyrinthine puzzle—while avoiding the faceless adversary who shadows their every move—the explosive, ancient truth will be lost forever.

This is Margaret Atwood at the absolute peak of her powers. For readers of "Oryx and Crake," nothing will ever look the same again. The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter.

In the small town of Shadyside, don't stay up late, because horrible things can happen... Both day and night, Lisa Brooks is plagued with nightmares and hallucinations. Could they be caused by the horrifying accident that landed her in the hospital for weeks? When Lisa finds out that a neighbor is looking for a babysitter for her little boy, Lisa jumps at the chance to keep busy and take her mind off of her troubling thoughts. But then the murders start -- and her friends begin dying one by one. Are Lisa's nightmares coming true? Find out in the next installment of R.L. Stine's Fear Street series, Don't Stay Up Late.

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . . Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . . By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

Bringing together "Oryx and Crake" and "The Year of the Flood," this thrilling conclusion to Margaret Atwood's speculative fiction trilogy points toward the ultimate endurance of community, and love. Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb. Zeb has been searching for Adam One, founder of the God's Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb's dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge. Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.

When Detective Sergeant Duncan Hatcher is summoned to the home of Judge Cato Laird in the middle of the night to investigate a fatal shooting, he knows discretion and kid-glove treatment will be key to staying in the judge’s good graces and keeping his job. It’s an open-and-shut case: Elise, the judge’s beautiful trophy wife, interrupted a burglary and killed the intruder in self-defense. Yet Duncan is suspicious of the beautiful woman’s story of innocence and his gut tells him her account of the shooting is only partially true. Determined to learn the dead man’s connection to the Lairds, Duncan investigates further but soon finds his career, and integrity, in jeopardy. Despite his suspicions, Duncan is increasingly drawn to Elise―even if she is a married woman, a proven liar, and a murder suspect. When Elise seeks Duncan out privately, he initially dismisses her incredible allegation as the manipulative lie of a guilty woman. But if she’s telling the truth, then that single fatal gunshot at her home takes on even more sinister significance, possibly involving Duncan’s nemesis, the brutal crime lord Robert Savich. And then Elise goes missing...

Dawson Scott is a well-respected journalist recently returned from Afghanistan. Haunted by everything he experienced, he's privately suffering from battle fatigue which is a threat to every aspect of his life. But then he gets a call from a source within the FBI. A new development has come to light in a story that began 40 years ago. It could be the BIG story of Dawson's career one in which he has a vested interest. Soon, Dawson is covering the disappearance and presumed murder of former Marine Jeremy Wesson, the biological son of the pair of terrorists who remain on the FBI's Most Wanted list. As Dawson delves into the story, he finds himself developing feelings for Wesson's ex-wife, Amelia, and her two young sons. But when Amelia's nanny turns up dead, the case takes a stunning new turn, with Dawson himself becoming a suspect. Haunted by his own demons, Dawson takes up the chase for the notorious outlaws. . .and the secret, startling truth about himself.

Dr. Emory Charbonneau, a pediatrician and marathon runner, disappears on a mountain road in North Carolina. By the time her husband Jeff, miffed over a recent argument, reports her missing, the trail has grown cold. Literally. Fog and ice encapsulate the mountainous wilderness and paralyze the search for her. While police suspect Jeff of "instant divorce," Emory, suffering from an unexplained head injury, regains consciousness and finds herself the captive of a man whose violent past is so dark that he won't even tell her his name. She's determined to escape him, and willing to take any risks necessary to survive. Unexpectedly, however, the two have a dangerous encounter with people who adhere to a code of justice all their own. At the center of the dispute is a desperate young woman whom Emory can't turn her back on, even if it means breaking the law. Wrong becomes right at the hands of the man who strikes fear, but also sparks passion. As her husband's deception is revealed, and the FBI closes in on her captor, Emory begins to wonder if the man with no name is, in fact, her rescuer from those who wish her dead - and from heartbreak.

THE PRINCIPALS Paul Wheeler. CEO of the Wheeler Enterprises empire. At age fifty-two, he’s a pillar of Atlanta society and a brilliant businessman. But Paul is out of the picture even before the opening credits — shot dead during an armed robbery. Julie Rutledge. A savvy, cultured, and attractive Southern woman, seasoned by a stint of study and romance in Paris. She owns the city’s most successful and sophisticated art gallery on Peachtree Street. She was also Paul Wheeler’s weekly companion at the hotel where he was murdered and was hand in hand with him at the time of his death. Derek Mitchell. A defense lawyer of renown. Successful, handsome, and despised by the Atlanta PD for his courtroom victories, he goes to the mat to make a case for every client – and headlines for himself. A guilty verdict is not an option. Yet he’s not entirely without a conscience, as proven when his life takes a terrible turn toward the cinematic. Creighton Wheeler. The prodigal nephew of Paul. With movie-star looks and guileless blue eyes, the twenty-eight-year-old playboy has a penchant for call girls, fast cars, and designer clothes. But his passion is movies. He studies them, quotes them…and lives them. Even those closest to Creighton can’t be sure when he exits reality and enters the fantasy world of films.