Gabby's brain is like a human fish finder. It comes in handy when she wants to avoid people. Mostly men. They seem to like her a bit too much. It's lonely being different, but she's adapted to it. Really. She just wishes she knew why she is different, though. In her search for answers, she discovers a hidden community of werewolves. She immerses herself in their culture, learning about their world until she meets Clay. He's unkempt, prone to mood swings, intense without saying a word, and he thinks Gabby is his. It's going to take every trick she knows to convince Clay to go away, and every bit of willpower not to fall for him when she discovers the man beneath the rough exterior. Delve into a riveting world of werewolves and young women with unexplained abilities, in Hope(less). Judgement has begun...

After tragedy strikes, Alla, a young slave woman, escapes from the only life she has ever known to embark on a new journey to an unknown world. Will she be able to not only pass for white, but also pass for an English governess to the Duke of Manchester? -ROUGH and UNEDITED- Copyright © 2012

16-year-old Brin Skar hates everything to do with being scared, so she isn't happy when she discovers that her junior year Film class at Grisly High is devoted to the horror genre. Worse, the first assignment for the students is to create their very own horror movies. Brin and five classmates travel to Bodie Ghost Town in California to shoot their creepy film, but they soon find themselves fighting a real terrifying threat when a clan of mean, ruthless vampires emerge from beneath the surface and start attacking the group. The teens, headed by Brin and the egotistical director Anaya Frost, have no help from the outside and become outnumbered by the bloodsuckers a hundred to one. But when Brin meets Paul, a helpful and smoldering vampire outcast who's had enough of his shameful life, she discovers he may be the only key to their survival. A NOVEL BY BRIAN ROWE COPYRIGHT (C) 2012 by Brian Rowe This book is a work of fiction. Any resemblance to actual persons, living or dead, or actual events is entirely coincidental. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously.