CLASSY CLASSICS not complete, suggestions are welcome
21 stories
Frankenstein (1818) by MaryShelley
MaryShelley
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"Frankenstein; or, The Modern Prometheus" is about an eccentric scientist Victor Frankenstein, who creates a grotesque creature in an unorthodox scientific experiment.
Through the Looking-Glass, and What Alice Found There (1871) by LewisCarroll
LewisCarroll
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"Through the Looking-Glass, and What Alice Found There" is the sequel to Alice's Adventures in Wonderland. The themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May (4 May), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on 4 November (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess.
The Importance of Being Earnest, A Trivial Comedy for Serious People by OscarWilde
OscarWilde
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"The Importance of Being Earnest, A Trivial Comedy for Serious People" is a farcical comedy in which the protagonists maintain fictitious personæ in order to escape burdensome social obligations.
A House of Pomegranates (1891) by OscarWilde
OscarWilde
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"A House of Pomegranates" is a collection of fairy tales. "The Young King" tells the story of the illegitimate shepherd son of the recently dead king's daughter of an unnamed country. Being his only heir, he is brought to the palace to await his accession. "The Birthday of the Infanta" is about a hunchbacked dwarf, found in the woods by courtiers of the King of Spain. The hunchback's father sells him to the palace for the amusement of the king's daughter, the Infanta, on her twelfth birthday. In "The Fisherman and his Soul," a young Fisherman finds a Mermaid and wants nothing more than to marry her, but he cannot, for one cannot live underwater if one has a soul. "The Star-Child" is the story of an infant boy found abandoned in the woods by a poor woodcutter, who pities him and takes him in. He grows up to be exceedingly beautiful, but vain, cruel, and arrogant, believing himself to be the divine child of the stars. Cover done by @zonaamind
The Raven (1845) by EdgarAllanPoe
EdgarAllanPoe
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"The Raven" tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". Cover by @Lujayna
The Cask of Amontillado (1846) by EdgarAllanPoe
EdgarAllanPoe
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"The Cask of Amontillado" (sometimes spelled "The Casque of Amontillado") is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective. Cover by the lovely @theygotnone
The Pit and the Pendulum (1842) by EdgarAllanPoe
EdgarAllanPoe
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"The Pit and the Pendulum" is a short story written by Edgar Allan Poe and first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, though Poe skews historical facts. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the reader because of its heavy focus on the senses, such as sound, emphasizing its reality, unlike many of Poe's stories which are aided by the supernatural. The traditional elements established in popular horror tales at the time are followed, but critical reception has been mixed. Cover by the lovely @KatrinHollister
The Bells (1849) by EdgarAllanPoe
EdgarAllanPoe
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"The Bells" is a heavily onomatopoeic poem by Edgar Allan Poe which was not published until after his death in 1849. It is perhaps best known for the diacopic use of the word "bells." The poem has four parts to it; each part becomes darker and darker as the poem progresses from "the jingling and the tinkling" of the bells in part 1 to the "moaning and the groaning" of the bells in part 4. Cover by: @CaffeinatedKiwi
The Tell-Tale Heart (1843) by EdgarAllanPoe
EdgarAllanPoe
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"The Tell-Tale Heart" is a short story by American writer Edgar Allan Poe, first published in 1843. It is relayed by an unnamed narrator who endeavors to convince the reader of his sanity while simultaneously describing a murder he committed. The victim was an old man with a filmy "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, and he hides the body by dismembering it, and hiding it under the floorboards. Ultimately, the narrator's feelings of guilt, or a mental disturbance, result in him hearing a thumping sound, which he interprets as the dead man's beating heart. Cover by the lovely @FayLane.
Annabel Lee (1849) by EdgarAllanPoe
EdgarAllanPoe
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"Annabel Lee" is the last complete poem composed by American author Edgar Allan Poe. Like many of Poe's poems, it explores the theme of the death of a beautiful woman. Cover by: @KatrinHollister